The Twilight Zone - Vol. 27 (1959) Review

The Twilight Zone - Vol. 27 (1959)
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`HE'S ALIVE' is a good study of Fascism and Nazism and how it can affect an essential weak individual who carries strong inner hatreds which are probably aimed at himself but manifests that hatred towards others aided by the vision of Adolph Hitler. Denis Hopper is excellent as the figure with a spine of clay that elicits advice from his vision of Hitler played by Curt Conway. The choice of Conway was criticized for his lack of resemblance to Hitler. However, Conway's performance was right on target full of energy and conviction. He had Hitler's gestures down to a science. This is a very interesting episode written by Rod Serling and often overlooked. Vividly photographed. It fit the hour-long format perfectly. `SPUR OF THE MOMENT' contains some very frightening images filmed in broad daylight. The sight of a pursuing Diana Hyland on horseback dressed in flowing black are Freudian in nature and remain indelible to the viewer. Freely written by Richard Matheson but one of the most visually effective episodes. `FROM AGNES - WITH LOVE' is a lightweight episode but very appropriate for Wally Cox. You either like this one or you don't. Written by Barney Scofield and directed by Dick Donner! It was enjoyable to see so many actors from 1960's television on this DVD such as Wally Cox, Ralph Taeger, Dennis Hopper, Diana Hyland and Roger Davis.

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This volume includes: "He's Alive" (Episode 106, January 24, 1963, 51 min.) - Peter Vollmer (Dennis Hopper), a small-time neo-Nazi leader, yearns for more power. Advised by a shadowy benefactor, Vollmer's followers grow, as does his ego. "From Agnes With Love" (Episode 140, February 14, 1964) - Wally Cox as computer technician James Elwood must deal with the queen of all femme fatales: a computer named Agnes who wreaks havoc on his love life. "Spur of the Moment" (Episode 141, February 21, 1964) - After being chased by a terrifying, unidentified figure in black, Anne Henderson (Diana Hyland) rushes home, where she soon must face the biggest decision of her life.

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Green Hornet-13 Episodes (1940) Review

Green Hornet-13 Episodes  (1940)
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This DVD release is SUPERB. I can say that because I have purchased numerous releases for the same serial, including VHS and unauthorized DVD releases. The picture quality is sharp and clear and evidently from the studio masters. The sound is excellent and the detail level is superb.
The serial is chaptered so you can select which chapter you want to watch or you can watch them all from beginning to end without interruption. Old-Time Radio shows are a bonus.
Best part about this release is the liner notes. Authored by Martin Grams, it reveals just how and where they filmed each scene for the chapters, character actors in small roles (such as an unbilled Alan Ladd) and more. I recommend you read the liner notes before watching the serial so you have plenty to look out for during viewing. Makes viewing more fun. (And according to the end of the notes, the author has an authorized book on THE GREEN HORNET coming out in early 2010!)
Overall, quality, liner notes, radio shows, bonus features, this is as good as it gets. If you question whether this is worth the price, take it from a Hornet fan. Grab this.

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The Twilight Zone: Vol. 12 (1959) Review

The Twilight Zone: Vol. 12 (1959)
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It's true that the Volume 12 TZ DVD is not the best in the series of 40 plus Twilight Zone DVDs.
But "The Trade-Ins" has as a powerful asset for anyone interested in the history of the theatre of the 20th century: the very renowned (then, at least) actor, Joseph Schildkraut. This must have been one of his last performances in any medium. Like "The Passerby" -- another TZ that comes in for criticism for what is by modern, and rather callous, theatrical taste, a maudlin sentimentality -- "The Trade-Ins" dares to deal with the human pathos of bodily decrepitude and encroaching mortality -- topics you'll never find even alluded today to in any kind of television series. "The Trade-Ins" is sentimental yes but it has a truth to tell, and it tells it poetically. (No poetry allowed in the age of "The Sopranos" and "The Simpsons".)
Consider Robert Browning's poem, "Rabbi Ben Ezra," which has the elderly rabbi exhorting his melancholy wife with the line, "Grow old along with me...the best is yet to be!" That would have been recognized as a manipulative poet's lie even in the 19th century.
To its credit, "The Trade-Ins" avoided this kind of emolient poetic untruthfulness -- and did so daring in a mass medium, television, which was denounced in those days a "a vast wasteland." (What would Newton Minnow make of the tube in 2004?)
In "The Trade-Ins," two aging lovers must make a decision that is no more than a scriptwriter's not terribly imaginative contrivance. But the episode still makes a powerful point about the nature of true conjugal love.....

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Twilight Zone (Time Enough At Last/The Monsters are Due on Maple Street) (1959) Review

Twilight Zone (Time Enough At Last/The Monsters are Due on Maple Street)  (1959)
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This is one of Serling's best stories put on film. It is very insightful of how human nature can lead to the destruction of communities, self and others. He shows that when something is different from the norm is introduced into our lives we immediately become fearful and suspicious of all others around us.

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I Love Lucy - Vol. 2: Lucy Does a TV Commercial / Lucy's Italian Movie (1951) Review

I Love Lucy - Vol. 2: Lucy Does a TV Commercial / Lucy's Italian Movie (1951)
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This volume from the "I Love Lucy" collection features two of the episodes in Lucille Ball's comic triple crown (the third being the chocolate factory skit). In "Lucy Does a TV Commercial" (Episode #30, May 5, 1952), Ricky is set to host a TV variety show and Lucy wants to do a live commercial for (all together now) Vitameatavegamin. Although she fails to win Ricky's support after staging a mock show inside their television set, Lucy arranges to get the gig anyhow. She starts off great, but the problem is that Vitameatavegamin contains twenty-three percent and with each rehersal Lucy gets progressively drunker and funnier. Lucille Ball considered this the best bit, and one of the hardest, she ever did.
Equally memorable is the classic grape vat scene from "Lucy's Italian Movie" (Episode #150, April 16, 1956). The Ricardos are in Europe when an Italian movie producer tells Lucy that he wants her in his new film, "Grapola Pungente." Finding out the title translates as "bitter grapes," Lucy takes this literally and heads for the nearest vineyard where she has a memorable encounter with Teresa Tirelli stomping grapes in a vat. You have to love any tape that gives you two of the redhead's all-time best comedy bits.

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Secret Agent AKA Danger Man, Set 4 (1965) Review

Secret Agent AKA Danger Man, Set 4 (1965)
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Patrick McGoohan returns as British secret agent John Drake in the fourth boxed set of one hour long episodes of Danger Man. Presented in black and white, are adventures in espionage around the world. Here are summaries and/or comments for the episodes in this set. Episode ratings are on a scale from one to five (best).
Volume 7: (Disc 1)
Sting in the Tail (3): This episode features Derren Nesbitt, as "Rachid Noureddine", a hit man headquartered in Beirut. Drake's plan is to lure him to where he can be captured, by using his girlfriend, a nightclub singer. Drake's cover is as an artist, interested in painting the woman's picture. Nesbitt is an actor who usually has a riveting screen presence, and this is the case here. There are sparks, when he and Drake, clash swords over the woman. The plot is simple and direct, though accepting McGoohan as a romantic figure is always a challenge. This episode's title is drawn from a gadget weapon similar to those provided by Q Branch in the Bond films.
The Black Book (4): Sir Noel Blanchard has been indiscreet, and is feeling a blackmailer's bite. John Drake is enlisted to look into the situation, and is sent to Paris to investigate. Tracking the payoff money, Drake encounters a mysterious young woman, and a connection to a Russian spy network. An above average episode, that has a gritty edge. More gadgetry, this time it is a typewriter that tracks and transmits radio signals.
English Lady Takes Lodgers (4): After George Stanway, a well known local smuggler disappears, Drake is sent to Lisbon to investigate. Stanway's wife Emma, takes in boarders, and is on unusually good terms with her lodgers. Drake too becomes a guest, and is soon swept up into the mysterious affairs of the villa's occupants.
Loyalty Always Pays (4): There's trouble in an unnamed African country, where the Minister of Defense has signed a secret treaty with China. Drake is sent in to get proof the treaty's existence. Making use of the local intelligence network to get the information he needs, Drake runs a con game, forcing a security official to help him to get access to the Ministry. This is a well-written episode full of intrigue, and featuring more gadgets.
Volume 8: (Disc 2)
Are You Going To Be More Permanent? (3): The last two comptrollers in Geneva have disappeared. The three local agents are under suspicion. Prepared for a trap, Drake is sent in to ferret out a double agent. A solid, no-frills tale of espionage.
Parallel Lines Sometimes Meet (4): A couple employed at an English atomic research lab, mysteriously disappears. Seeking to discover their fate, John Drake turns up in Haiti, of all places. There he encounters a mysterious English couple, a Russian agent, an overly intrusive police official, and the owner of a mining operation with much to conceal. Forming an alliance with the Russian; Drake explores the secrets of the mine, leading to an explosive finish.
A Very Dangerous Game (4): Drake assumes the identity of a teacher on his way to take a position in Singapore. Upon arrival, Drake is contacted by Chinese spies, and instructed to help trap a British agent. Soon Drake has located the ring's base of operations, and is playing a dangerous game of deception, where the price of failure is death. A fast paced adventure with an interesting but somewhat curious resolution.
The Mercenaries (3): Once again in an unnamed African nation, John Drake's initial undercover role is as a mercenary. Uncovering a connection between the leader of the mercenaries and an unscrupulous surgeon, Drake then must prevent the death of the country's Prime Minister, and avert a forced takeover. This episode is not with some humor, featuring a native witch doctor, and a most impressive pole vault.
In Danger Man Set 4, gadgets and gizmos seem to be more prominent than in previous episodes, particularly in Volume 7. The inclusion of such devices does not detract too much, as they remain tools used within context of the stories. In summary, another solid collection that should satisfy fans of the series, and cold war espionage.
The editors at A&E might pay a bit more attention to detail, and get the location correct in the episode synopsis. Spain is substituted for Portugal, Vienna for Geneva, and Hong Kong for Singapore. Fans of Danger Man, may find my other reviews of the series of interest. Be seeing you.

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Man Against Crime Review

Man Against Crime
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I'll admit that I'd never heard of this TV series before I saw the DVD sitting in the bargain bin (for a buck; can't beat that with a stick). I decided to take a small risk, and I'm glad that I did, as these three episodes are a hell of a lot of fun.
First, some practical matters. The DVD packaging states that the name of the show is "Man Against Crime". However, the actual opening credits (and the DVD menus) would name the show "Follow That Man".
Whatever the title, this show ran from 1949 to 1954 and starred Ralph Bellamy as detective Mike Barnett. He's ostensively a New York City cop, although he seems to do some freelance detecting during a couple of these episodes, so I'm not exactly sure what his relationship is to the NYPD. He's your typical tough, macho, no nonsense, charismatic character, and I found him one of the more appealing things about this show.
He's a very human character. He doesn't make deductive leaps out of thin air. He doesn't beat the truth out of people. He simply keeps plodding along until he solves the case. It's a simple characteristic, I know, but I couldn't help but like it.
Purists may stop short of placing this show into the film noir genre, but it certainly seems heavily influenced by it. The dialog could have come straight from Raymond Chandler. These are only half-hour episodes, so there isn't time for hugely complicated plot lines, but they're great little nuggets of crime thriller.
The first episode on the disc is "Death Takes a Partner". Barnett helps out a friend who runs international bicycle races. The mob has a large amount of cash riding on the outcome and Barnett wants to make sure the race is fair. There's a nice double-cross in this one, and the plot keeps the episode moving at a brisk pace. I did, however, have to stifle a laugh at Martin Balsam's attempt at a French accent.
The second episode is "Day Man", and is -- to be honest -- just the tiniest bit silly when all is said and done. Houses in a wealthy neighborhood are being robbed, and the only visible connection is that the criminal helps himself to the owner's beer before leaving the scene. The crime isn't particularly interesting, so we have to be satisfied with Bennett's investigation. Thankfully, that part of the story is the episode's strength. But if you don't see the so-called big surprise coming, then you weren't paying attention.
"Doll Bandit" rounds off the three episodes. The doll bandit is so named after a high-profile bank robbery (though they're only sticking up the FIFTH national bank). Three armed men raid a bank, threatening to shoot a mother's baby if anyone tries to stop them. It turns out the "baby" is a doll and the mother is in on the heist. The story revolves more around the criminals turning on each other than it does on the police investigation. I really enjoyed this one. Barnett manages to be clever in a very simple and direct way.
The DVD case of this Digiview productions version has the hilarious typo: "What really made the show unique was that the show were [sic] done live." The show were done live, were it? I'm in no position to mock someone else's typing prowess (as readers of my reviews can attest), but couldn't they have hired a better copyeditor? Digiview seems to have a gaffe like this on every single release. It's only a two sentence summary for crying out loud...
And I'm not sure how "done live" the show was. There are a number of on-location scenes, which I'm sure were filmed prior to broadcast. According to the Internet Movie Database, this program stopped going out live in 1952. I can't find a good episode guide on the web, so it's possible that the episodes here came after the show switched to a recorded format.
I have no idea whether these three episodes are typical, but if they are, then this is a show I look forward to seeing more of. Hopefully more episodes will be released on DVD in the future. Until then, these three are certainly worth a view.

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