Showing posts with label educational. Show all posts
Showing posts with label educational. Show all posts

Ken Burns Presents The West (1996) Review

Ken Burns Presents The West  (1996)
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The West
DVD ~ Peter Coyote
When some people use the word "documentary" they seem to imbue it with an expectation of total objectivity--as if one could eliminate all traces of cultural experience from one's makeup and discover a shining path of ultimate "truth" simply by the act of becoming a filmmaker. Nonsense. We are all a product of our times and of the culture in which we were raised and educated. Documentaries are always, always, always selective. There is no such thing as total objectivity, either in writing or in filmmaking.
That said, this is an enormously valuable effort to sift through an extraordinary cross-section of materials and condense them into 12 and 1/2 hours of very viewable, enlightening and often extremely moving stories. Yes, that's right, I said "condense". The documents available on the history of the West literally fill many museums, and unless you plan to spend every waking moment of your life from the time you learn to read until the day you die as a serious scholar of western lore, you will never gain a complete knowledge of the subject. This is an outstanding effort to provide a distillation of the sense and feel of the west from the earliest days of indian tribal inhabitation to the passing of the frontier. To have even attempted that feat in a 12 and 1/2 hour presentation took courage and imagination. Although I have often grumbled to myself about Ken Burn's relentless imposition of an over-stylized montage technique on the presentation of his documentaries, I have nothing but astonished admiration for his accomplishment in crafting this mini-series. Bravo.
Yes, yes, it doesn't tell the whole story of the West. Yes, it is selective. And, yes, there are other things that could have been included. C'mon guys, quit sitting back like Monday morning quarterbacks and griping about what is missing from this presentation. Think about what he WAS able to accomplish! He captured a sense of sweep, a sense of the development of the frontier, and an extraordinarily vivid impression of the cultural, religious, social, economic and racial collisions that occurred in this vast space over a period of a couple of centuries. Good grief, what do you want, blood? If he had never made another movie, this series would still have placed him in the pantheon of American documentarians. No one is claiming that this is the only document you need to expose yourself to in order to achieve perfect understanding of the history of the West. But it's certainly one absolute requirement for inclusion in any attempt to understand the subject.
For any collector of Western memorabilia and lore, for any teacher who wants to enrich a class in American studies, and for anyone at all who simply wishes to gain a sense of the West in our history, this is a must-have set of dvds to add to your collection. It should be available in every school and public library and rerun regularly on PBS. It's the best thing Burns has ever done--the Civil War series notwithstanding--and those who chirp like little toads that it should have been better are welcome to make an effort to direct and produce a version that improves on it. Don't hold your breath until that happens.
Now I'm about to suggest a bit of social heresy in this day of 30 second commercials and infinitesimal attention spans. If you really want to gain the ultimate impact, try total immersion. Choose a rainy or snowy Saturday or Sunday, lay in a goodly supply of your favorite food and drink, lock the door and turn your phone off (!), and then do a total viewing immersion. Watch the entire series from beginning to end in one marathon day. And by the way, treat yourself to some solitude. That's right, do it alone; spend one day watching this without having to pay attention to the needs or attitudes or reactions of a viewing companion. Let it surround and soak into your senses. Embrace the barrage of images and sounds. Plunge headlong into that amazing collection of stories about people and places and events. It will change you. You won't come away with total recall of details, but you will achieve a new sensory and intellectual appreciation of our history that is geometrically greater than watching it piecemeal with days or weeks intervening between the episodes. Later on, after some time has passed, you can go back and view it again in the self-contained capsules; that time through, you will absorb the detail. Go ahead, try it. Challenge your mind.
Well done, Mr. Burns! My hat is off to you. And thank you PBS for reminding us that our brains are for thinking.


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Leonard Bernstein - Young People's Concerts / New York Philharmonic (1961) Review

Leonard Bernstein - Young People's Concerts / New York Philharmonic (1961)
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This series of concerts is a truly wonderful achievement. It must surely rank among the finest treasures of the television medium.
Bernstein aside from being a brilliant musician is a wonderful teacher. To think that these concerts were conceived for children. In today's context this would probably be more suitable for the general adult music lover, someone with at least a modicum of musical knowledge. I'm not sure how today's children would respond to them, especially with their dated look and relatively dry subject matter.
The concerts technically are not concerts at all but music appreciation classes, led by a brilliant maestro, full of passion for his subject and backed by a superlative orchestra. The topics covered range from the disarmingly simple like "What is a Melody?" to the simple yet profound, "What does music mean?" Does music have meaning? He covers standard music subjects like sonata form, symphonic music, concerto form and tries to define what is classical music. In all these subjects, he is never anything less than compelling. He also explores little discussed topics like the significance of intervals and the concept of modes. One drawback of the TV broadcast format is that he is limited to a mere one hour to explain each topic. By the end of the session on musical modes he is so pressed for time he can only zip through the the remainder of his notes. In the episode on Folk Music, he touches on the relationship between language and music, a theme he would pursue in far greater depth and length in his Harvard Lectures of 1973. The other aspect of the concerts is the introduction of lesser known composers to his young audience. Particularly treasurable is the episode on Mahler. Bernstein, the long-time champion of Mahler, spends the entire hour introducing his young audience to the then obscure composer's works, this at a time when even regular concert-going audiences were unfamiliar with them. The other episode among this group that stands out is his tribute to Aaron Copland in "What is American Music?". Bernstein proclaims Copland as the greatest living American composer and has the man himself conduct exerpts from his Third Symphony. Unfortunately Kultur has omitted another episode devoted entirely to Copland, "Aaron Copland Birthday Party" which discusses Copland's lesser known works and has the composer himself conduct his famous El Salon Mexico. Among Bernstein's many guests, are the great soprano Christa Ludwig and the baritone Walter Berry, featured in the 125th joint anniversary of the New York and Vienna Philharmonic Orchestras - "A Toast to Vienna" (Christmas 1967). Other guests include the Israeli soprano Netania Devrath singing Villa Lobos' haunting Bachianas Brasilieras No. 5. My favorite surprise appearance was by Marni Nixon, the unjustly uncredited singing voice behind Hollywood's greatest musicals (she was the singing voice for Natalie Wood in West Side Story, Audrey Hepburn in My Fair Lady and Deborah Kerr in The King & I). Here we get to see her in the flesh, singing exerpts from Canteloube's achingly beautiful Songs of the Auvergne. The series fittingly ends with Beethoven's operatic paean to freedom, Fidelio.
On the technical side, much leeway has to be given because the picture quality varies from downright poor to above average (for its period). The earliest concerts have problems with lens distortion which create an effect similar to looking through a goldfish bowl. One must understand that when these concerts began, way back in the Fifties, television broadcast technology was relatively primitive. There was no such thing as videotape. To record a live concert broadcast for later transmission or for posterity, they used a primitive technology called kinescope recording. Essentially this entailed putting a film-based motion picture camera in front of a TV screen and capturing the moving images from the TV screen onto film. That was their version of the videotape. Hence the poor quality of the initial few episodes. However, quality gets progressively better until eventually color is introduced in the Nov 1967 concert. Only the last six concerts are actually in color. Still, you're not buying this set for how beautiful the picture looks. Soundwise, it is mostly in mono but helpfully remixed to 2.0 and 5.1 surround. A pleasant surprise is that the final two concerts are actually recorded in native dual-channel stereo - and pretty effective stereo at that. Overall, the sound is not great but more than acceptable for its purpose.
My only regret with this set is that it contains just 25 out of the total of 53 Young People's Concerts that Bernstein actually gave. Here is a listing of the episodes contained in the set:
1. What Does Music Mean?
2. What is American Music?
3. What is Orchestration?
4. What Makes Music Symphonic?
5. What is Classical Music?
6. Humor in Music
7. What is a Concerto?
8. Who is Gustav Mahler?
9. Folk Music in the Concert Hall
10. What is Impressionism?
11. Happy Birthday, Igor Stravinsky
12. What is a Melody?
13. The Latin American Spirit
14. Jazz in the Concert Hall
15. What is Sonata Form?
16. A Tribute to Sibelius
17. Musical Atoms: A Study in Intervals
18. The Sound of an Orchestra
19. A Birthday Tribute to Shostakovich
20. What is a Mode?
21. A Toast to Vienna in 3/4 Time
22. Quiz-Concert: How Musical Are You?
23. Berlioz Takes a Trip
24. Two Ballet Birds
25. Fidelio: A Celebration of Life
Some episodes not found on this set include:
Anatomy of a Symphony Orchestra
Bach Transmogrified
Charles Ives: American Pioneer
Farewell to Nationalism
Forever Beethoven!
Holst: "The Planets"
Liszt and the Devil
Modern Music from All Over
Overtures and Preludes
The Genius of Paul Hindemith
The Road to Paris
The Second Hurricane
Thus Spake Richard Strauss
Hopefully Kultur will release these and the remainder soon.
For those who may be interested, the transcripts for most of these concerts are available online either from the Library of Congress (Leonard Bernstein Collection) or Leornard Bernstein's official website. The LoC has high quality color scans of all the handwritten manuscripts and typewritten transcripts bequeathed to it by the Bernstein estate, complete with Bernstein's barely legible scribblings and annotations.

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Leonard Bernstein's Young People's Concerts with the New York Philharmonic stand among his greatest achievements. These televised programs introduced an entire generation to the joys of classical music. Bernstein conducted his first Young People's Concert on January 18, 1958, just two weeks after becoming Music Director of the New York Philharmonic. Such programs were already a Philharmonic tradition when Bernstein arrived, but he made them a centerpiece of his work, part of what he described as his "educational mission." Looking back on the concerts years later, he referred to them as being "among my favorite, most highly prized activities of my life." When he took a sabbatical season from the orchestra in 1964-65, he still came back to lead the Young People's Concerts. He continued to lead these programs until 1972, even though he had stepped down as director of the Philharmonic in 1969. Bernstein led a total of fifty-three Young People's Concerts during those fourteen years, and covered a broad range of subjects. The works of the great composers were explored, including tributes to modern masters such as Dmitri Shostakovich, Paul Hindemith, Gustav Holst, Aaron Copland and Charles Ives. Bernstein discussed "Jazz in the Concert Hall," "Folk Music in the Concert Hall," and "The Latin-American Spirit." He explained the intricacies of Music Theory in programs such as "Musical Atoms: A Study of Intervals" and "What is a Mode?" He broached complex aesthetic issues such as "What Does Music Mean?" (his first program) with clarity and without condescension. Bernstein also used the Young People's Concerts to introduce young performers to the musical world. The sixteen year-old pianist André Watts made his debut in the concert of January 15, 1963. Originally broadcast on Saturday mornings, the programs were considered so important that for three glorious years CBS presented them at 7:30 p.m. (prime time for television viewing). Eventually the programs were moved to Sunday afternoons. The concerts were translated into other languages and syndicated to forty countries.

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Leonard Bernstein: Omnibus - The Historic TV Broadcasts (2010) Review

Leonard Bernstein: Omnibus - The Historic TV Broadcasts (2010)
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"Omnibus" ran on ABC, CBS, and NBC at various times from 1952 to 1961. The program showcased both established stars and rising talent from the worlds of music, dance, theater, and opera. Long a staple of Sunday afternoon programming, "Omnibus" eventually moved to other time slots and networks when the value of Sunday real estate rose with the broadcasting of professional football.
"Omnibus: Leonard Bernstein" is a four-disc set containing seven shows aired between 1954 and 1958 that feature Mr. Bernstein's enthusiastic lecture/performances about classical and other forms of music. Bernstein was equally at home with classical music and musical theater. He wrote the scores for "West Side Story" and "On the Town" and was the longtime conductor of the New York Philharmonic.
His "Omnibus" debut was "Beethoven's Fifth Symphony" (broadcast live on CBS, November 14, 1954). Other shows include "The World of Jazz," "American Musical Comedy," "Introduction to Modern Music," "The Music of J.S. Bach," "The Art of Conducting," and "What Makes Opera Grand?" The shows are the kind of fare that today can only be seen on PBS. The TV audience of millions were both entertained and educated by Bernstein's spirited programs. Clearly, he loved his subjects and his energy and passion come through, even in black and white on the small screen. Extras include a bonus performance of Handel's "Messiah" and a 24-page booklet with contributions written by music critic John Rockwell.

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The Golden Age of Television's most distinguished production, Omnibus brought sophistication, refinement and sparkling intelligence to a national audience. Leonard Bernstein, whose Omnibus appearances rank among the series highlights, made his television debut with "Beethoven's Fifth Symphony" in 1954 and later won two Emmy Awards for his presentations on jazz, conducting, musical comedy, 20th century composition and Bach. Now, for the first time since their original live broadcasts, these acclaimed performances can be seen in their entirety, restored and re-mastered on DVD.
Includes: "Beethoven's Fifth Symphony" (CBS, 11/14/54), "The World of Jazz" (CBS, 10/16/55), "The Art of Conducting" (CBS, 12/4/55), "American Musical Comedy" (ABC, 10/7/56), "Introduction to Modern Music" (ABC, 1/13/57), "The Music of J.S. Bach" (ABC, 3/31/57) and "What Makes Opera Grand?" (NBC, 3/23/58) – plus a bonus live performance of Handel's Messiah (CBS, 12/25/55), featuring the internationally-acclaimed soloist William Warfield, with Bernstein conducting the Symphony of the Air
Accompanying the collection is a 24-page booklet featuring photographs, program credits and a modern-day assessment by the prominent music critic John Rockwell.

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The Berenstain Bears - Visit Fun Park (Also includes 4 Aditional Episodes - Go to the Movies / Gotta Dance / White Water Adventure / Papa's Pizza Review

The Berenstain Bears - Visit Fun Park (Also includes 4 Aditional Episodes - Go to the Movies / Gotta Dance / White Water Adventure / Papa's Pizza
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I bought this for my 2 year old granddaughter and she loved watching it. She loves it like my daugher did when young in the 80's. Even though my grand baby is moving toward Sesame Street now she still enjoys watching Berenstain Bears DVD's I collected for her.

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