Showing posts with label british mysteries. Show all posts
Showing posts with label british mysteries. Show all posts

The Avengers - The Complete Emma Peel Megaset (1966) Review

The Avengers - The Complete Emma Peel Megaset (1966)
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The immensely popular ABC series called "The Avengers" has long since achieved legendary status since it appeared back in January 1961. Since then there have been 161 episodes, which break into four major sections. We have the early episodes (1-26) with Patrick Macnee as John Steed and Ian Hendry as Dr. Keel. Then the "Cathy Gail" series (27-78) with Honor Blackman as Cathy Gale, the man-tossing, leather-covered intellectual who broke new ground for female characters on television. Even more popular was the black and white series (79-104) with Diana Rigg and Emma Peel (read "M[en] appeal "), which led not unexpectedly to the color series with Rigg (105-129). Then the final section with Linda Thorson as Tara King (129-- in which she co-starred with Rigg-161).
As of this writing, the early episodes in the Gale series and all of the King series are not yet available. However, A&E has just released all of the Rigg entries, both the black and whites and the color, in a wonderful boxed set called "The Avengers: the Complete Emma Peel Mega-Set." And Mega, I suppose, is as good as any adjective to describe the enjoyment value of the contents therein. We have here all the Rigg episodes, including the transition entry in which Tara takes over for Emma, on 16 DVDs, each holding 3 episodes with an occasional 4th as a "bonus."
Those who have never seen them before will want, of course, to watch them in order. Others will want to jump to their favorite episodes, which is pretty easy on DVD. You will notice that the black and whites were less studio-bound and the sets in general more realistic. With the first color episode, the series took a strong science fiction bent; and the sets, as the producers admitted, were more a view of England as the Americans would like to think it is.
You will also have a lot of fun spotting stars-to-be. There is Donald Sutherland, Brian Blessed and Charlotte Rampling in "The Superlative Seven," Peter Bowles in "Dial a Deadly Number" and "Escape in Time," Geoffrey Palmer in "A Surfeit of H2O," and Christopher Lee in "Never, Never Say Die." It was a policy that no actor could appear more than once a season, so Bowles and Lee, for example, would have to wait for the King series to play other characters. In fact, the only characters as such to reappear in the color Rigg series from the black and whites is the bumbling Brodny (Warren Mitchell) who can be found in "Two's a Crowd" and "The See-Through Man" and the evil assistant (Frederick Jaeger) to the Cybernaut-master.
And for more fun, see how many actors from "Are You Being Served?" you can spot? There are three in all.
The most frequent repeat actor seems to be comedian Roy Kinnear, who also has the honor of being in the very last King episode in the role of Bagpipes Happychap. And then we have rotund Patrick Newell who was murdered in the very first Rigg entry, drugged in a color one, and wound up as Mother in the King series.
But all in all, it is the interplay between Macnee and Rigg that really made this program work. Unlike Cathy Gale, who seemed actively to dislike Steed when she was not merely tolerating him, Mrs. Peel had a genuine fondness for him and was not averse to stirring his tea (anticlockwise, as he preferred it). And as for the question of Peel and Steed being lovers, recall that they are fictional characters and have no life off the screen.
The dialogue was light hearted, and you seldom if ever saw blood after a mere trickle in their third episode. You also never saw a policeman, an element that for some reason the producers thought would be a jarring note. (You figure out why; I cannot.)
The best episodes? There is no question that "The House That Jack Built" leads the pack. This is the one in which Emma finds herself in a house designed to drive her mad and Steed appears only at the start and end. The worst? Possibly "Silent Dust." The silliest? That has to be "Epic." The most serious? "Murdersville." So what if the package costs a small fortune? You could purchase them separately, of course; but think of what you would be missing.

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The Vicar of Dibley - A Holy Wholly Happy Ending (2007) Review

The Vicar of Dibley - A Holy Wholly Happy Ending (2007)
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The finale of The Vicar of Dibley was a two-part special for Christmas 2006 and New Year Day 2007. The writers decided that the best way to send this great series out in style was to marry off Geraldine to the man of her dreams. Part 1 is their meeting and courtship (with some hilarious complications), and part 2 is the wedding. The dreamboat groom is Richard Armitage, currently glowering attractively as Sir Guy of Gisbourne in BBC's Robin Hood. As the fiance, Harry, he is charming, funny, and totally convincing in a romantic role that has to have a light touch. Did I mention that he is heart-stoppingly handsome? I just showed the two-part special to a group of my friends who had no prior knowledge of the series and they were laughing to the point of tears.

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Dawn French dons her cassock and collar once more for two very special episodes of The Vicar of Dibley, one of the BBC's most popular comedies. It boasts the brilliant comic writing of Richard Curtis (Love Actually, Bridget Jones's Diary) and a gifted ensemble cast including Emma Chambers (Notting Hill) and Richard Armitage (BBC's Robin Hood). The Handsome Stranger - Gerry is fed up with all the "townies" buying weekend cottages in Dibley -- that is, until she meets one particularly charming newcomer. Could he be the one? Or is it Gerry's destiny to end up heartbroken in another 6-foot deep puddle? The Vicar in White - After presiding over the marriages of hundreds of other people, it appears Gerry's big day has finally arrived. Appearances can be deceptive, however, especially when the eccentric residents of Dibley are doing the planning!DVD Features:Deleted ScenesFeaturette


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A Touch of Frost - Season 1 (2004) Review

A Touch of Frost - Season 1 (2004)
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A Touch of Frost is an outstanding British mystery series, and it is high time it was released on DVD. This set contains the entire first series--three 100-minute episodes entitled "Care and Protection", "Not with Kindness", and "Conclusions." At the time of writing, series two is also available (for preordering), and I only hope that the video company will see fit to release the entire series.

David Jason (Only Fools and Horses, The Darling Buds of May, Open All Hours, Micawber), who personally is one of my favourite British actors, stars as Jack Frost, a dedicated, single-minded detective inspector with a nose for ferretting out criminals. Frost is a bit like a dog with a bone when he sets his mind on something, and he doesn't worry too much about letting little things like rules, procedures, tactfulness, or even legality get in the way of finding out the truth--if he can get away with it, that is. This is a man whose loathing for the criminal element--for those who hurt or destroy the lives of others--verges on the personal. At the very least, his dedication to duty is more than just a job for him, it's his whole life--his raison d'etre. Certainly, his personal life suffers greatly from his dedication--indeed obsession--with his work.
The series opens with Frost's wife on her deathbed. Even in such a situation (perhaps, indeed, because of it--for Frost does not handle personal tragedy well), he is unable to spend the time at his wife's side that is expected. While this may sound rather morbid and depressing, I must emphasize that overall the series is not. Certainly, the crimes that are committed are serious and tragic, but like the Inspector Morse series (a series with which this one compares well), the episodes are punctuated by quite a healthy dose of humour, and like Morse it is primarily character humour. In other words, it arises out of the idiosyncrasies in the inspector's character, which become more apparent as we become more familiar with the character. In Frost's case, apart from his questionable tactics, he's extremely disorderly, and his dedication to his work is matched only by his loathing for paperwork--a trait which often has him at odds with his punctilious boss, Superintendent Mullett. Indeed, Frost is perennially ducking into doorways or skipping out of the office in attempts to avoid the unwelcome confrontations. One thing Frost does not have, unlike Inspector Morse, is a regular "Sergeant Lewis" in tow; rather, he has a different sergeant assigned to him for almost every episode.
One aspect which, in my opinion, makes A Touch of Frost such a good series is the powerful punch of irony that usually occurs at the end of each episode. Often one can really sympathise with the killer or at the very least understand his or her motivation. Sometimes we find that it's one trifling incident--someone in the wrong place at the wrong time--or a petty misunderstanding that sets the wheels in motion for a tragic outcome. Often it seems that the bringing of the criminal to justice is the greatest injustice.
In conclusion, this is a well-acted and an extremely well-written mystery series--one with quite hard-hitting stories, thus making the comic relief all the more welcome. It is a series which I recommend very highly to fans of British mysteries in particular--if you enjoy shows like Inspector Morse, for example, or have enjoyed PBS's erstwhile Mystery! series, I'm sure you'll enjoy this one. I would, however, go so far as to recommend this series to anyone looking for a superior quality mystery series, British or otherwise. Personally, I've always wondered why it was never made a part of PBS's Mystery! series, for it was certainly worthy of inclusion.

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Sherlock Holmes, Volume 1 - TV Classics (1954) Review

Sherlock Holmes, Volume 1 - TV Classics (1954)
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This disk contains the following episodes from the 1954-1955 TV series:
Baker Street Bachelors
Baker Street Nursemaids
Lady Beryl
Harry Crocker
One of these episodes (Baker Street Bachelors) is also contained in the 20-episode, 5-DVD set just released by Madacy (ASIN B0001Z3TS4). If you're a fan of this TV series, you might want to consider getting that set instead of (or in addition to) this disk.
I personally like this TV series. Ronald Howard is more personable than most others who have played Sherlock Holmes - more human - but still quirky and particular. In this series, he seems to enjoy being smarter than the other characters, but he does it with more of a sense of humor, rather then being obnoxious about it. Like any TV series, some episodes are better than others, but I found them all enjoyable.

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The Saint Megaset (1967) Review

The Saint Megaset (1967)
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This A&E megaset contains ONLY the later color episodes and in my opinion the weakest episodes in the series as a whole. These color shows were original tales written for television and not based on the stories of Saint creator Leslie Charteris. These color episodes come off lighter and more tongue-in-cheek. This could be because ITC was pandering to the US in order to sell the series to an American television network or it could be the simple evolution of a series entering its fifth year of production. On the other hand, it could be that the writers devising the color stories didn't know Simon Templar the way Charteris did.
Prior to these color shows there were 71 black and white episodes produced over four years. Those original 71 shows are by far the best in the series (most, if not all, based on the stories of Charteris). In these stories Simon Templar comes across less cavalier and more forceful. Although he is still the charming crusader for the victims of the "ungodly" (as he might say), in these stories he dwells in a grittier monochrome underworld of crime. The stories themselves are great tales of murder, extortion, blackmail, racketeering, graft, espionage, etc.
So, if you want to experience the best years of The Saint then I would suggest acquiring the A&E The Saint: The Early Episodes collections. The first set contains all 12 episodes from series one (1962) and the second set continues with the first 16 shows from series two (1963-1964). All the episodes are brilliant transfers with crystal clear black and white picture quality. These sets are in very limited distribution. Sadly, Amazon does not carry them at this point. I hate to recommend other sales outlets so let Amazon know you want them to carry the Early Years sets.
NOTE: Since first writing this review Amazon has added the first two Early Episodes collections. I would strongly advise all Saint fans to acquire these terrific collections.

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SAINT MEGA SET, THE - UILTIMATE COL. ALL

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The Agatha Christie Miss Marple Movie Collection (Murder at the Gallop / Murder Ahoy / Murder Most Foul / Murder She Said) (1964) Review

The Agatha Christie Miss Marple Movie Collection (Murder at the Gallop / Murder Ahoy / Murder Most Foul / Murder She Said) (1964)
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The first thing that catches your eye (rather your ear) about these 4 approximately 90 minute movies made by MGM in the 1960s is the catchy theme music used in the opening and closing credits. These 4 films may not be the in depth stories shown on BBC (and then A&E or PBS) in the mid to late 80s, but they are still delightful thanks to the performance of their star Margaret Rutherford, who brings some humor to the role. The 2 other regulars in them are Stringer Davis as her friend Jim Stringer (notice the similar name) who "strings" along and eventually helps her solve the case, and Charles Tingwell as the Scotland Yard Inspector amazed and sometimes befuddled by the "old bat's" Sherlock Holmes like methods to solve mysteries. In Murder She Said (a sort of variation on 4:50 From Paddington) Miss Marple poses as a maid at a mansion near a train station where she witnessed a murder on a passing train trying to solve the case. Look for future BBC/PBS Miss Marple Joan Hickson in this one as the cook. In Murder At The Gallop, she tries to find a murderer at an equestrian hotel. In Murder Ahoy, she goes aboard ship to when a Naval Captain is a suspect in a murder. Finally in Murder Most Foul, she joins a theatre troup to find a murderer, and I'll leave it at that. I'm glad these will be sold as a set, they are way too short (let alone too funny) to be sold individually. Definitely an addition to your library whether you have the 80s series or not.

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Murder She Said (1961): Margaret Rutherford's debut as Agatha Christie's Miss Marple Murder at the Gallop (1963): Murder and mystery start with a funeral Murder Most Foul (1964): Miss Marple joins a theatrical troupe whose specialty is death scenes. Murder Ahoy (1964): Miss Marple takes the helm in a seagoing whodunit

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Murder Rooms - The Dark Beginnings of Sherlock Holmes (2000) Review

Murder Rooms - The Dark Beginnings of Sherlock Holmes (2000)
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"Murder Rooms" consists of five episodes, starring Ian Richardson as Dr. Joseph Bell, the historical personage on whom Arthur Conan Doyle allegedly based Sherlock Holmes; with Dr. Watson based on Doyle himself. The 116-minute first episode ("Dr. Bell and Mr. Doyle, The Dark Beginnings of Sherlock Holmes") was a BBC series pilot released in January 2000. In "Dr. Bell and Mr. Doyle...," Robin Laing starred as the young Doyle in medical school. This pilot has been available in NTSC for two years (see Amazon's listing) and IS NOT INCLUDED IN THIS PACKAGE. In the remaining four 90-minute episodes comprising this set (on BBC in September-October 2001), episode chronology begins three years later, Charles Edwards assuming Laing's role as the young, idealistic but adult Doyle with his own medical practice. Information on source books, author David Pirie, screen credits, histories, plot synopses and cast are available at murder-rooms.com
FOR BEST APPRECIATION, ONE MUST TREAT THIS SERIES AS AN INTEGRATED FIVE-PART, EIGHT-HOUR MINISERIES, beginning with the pilot "Dr. Bell and Mr. Doyle..." setting the backdrop against which the other four, described IN ORDER below, play out. Missing "Dr. Bell and Mr. Doyle...," this reviewer STRONGLY RECOMMENDS you purchase this set now and set it aside until that pilot can be seen. In "The Patient's Eyes," a black-shrouded cyclist repeatedly stalks a lady patient cycling to Dr. Doyle eye appointments through eerie wooded terrain, leading to a mysterious abandoned house, love-interest conflicts, betrayal, and murder. (There are striking scene similarities to "The Solitary Cyclist.") In "The Photographer's Chair," a series of murder victim corpses bearing strange marks lead to mesmerism, spiritualism, séances, apparitions, erotic mutilation, daguerreotype photography, and genuinely chilling moments. In "The Kingdom of Bones," the publicized spectacle of unwrapping an apparent Egyptian mummy for scientific study yields highly unexpected results leading to suicide, dinosaur bones, gypsies, kidnapping, attempted murder, multiple murders, and political terrorism. And in "The White Knight Stratagem," Doyle and Bell come to a near falling-out involving a Dickensian business climate leading to suicide and murder; with a curious chess enigma hovering over everything. This last episode concludes the miniseries and should be viewed last.
These adaptations get this reviewer's highest commendation, being at least the equal (or better?) of the David Suchet / Jeremy Brett adaptations in their prime.The general tone is exceedingly dark, uncompromising, and far more menacing than the light-hearted Poirot-Holmes adaptations. (The atmospherics remind this reviewer of that excellent film "From Hell.") Excepting as discussed below, nothing in these episodes is short of first-class: plots, incredible principal and supporting cast, direction, cinematography depicting 1880s Victorian Edinburgh, hauntingly mysterious musical score, period mood, and the appallingly brutal times with modern medicine in infancy. Sound is fine; extraneous background noise is nil; diction is clear with no accent barriers.
So superior is MPI's production that current PAL DVD owners may want to buy the NTSC release anyway! The widescreen 16x9 anamorphic picture is excellent, with night scenes sharp yet still mysterious. This reviewer doesn't know how the original episodes were recorded, but suspects that the widescreen image seen here was likely achieved by slicing off top and/or bottom portions of an original 4x3 TV image: some close-up shots have head-tops suspiciously out of range, a typical symptom. But such trimming is a small price for what one sees on an HDTV system as contrasted to the original PAL release. Unlike that release, MPI also provides both running time display and chapter breaks; and the periodic PAL scene blackout interruptions (presumably omitting advertisements) are gone, greatly enhancing the narrative flow. There are two DVDs contained in one keep-case with an inner leaf. Each DVD has two episodes on the same side with full menu accessibility.

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Item Name: Dr. Bell and Mr. Doyle - The Dark Beginnings of Sherlock Holmes; Studio:Bfs Entertainment

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Sherlock Holmes: Greatest Mysteries (5 DVD Set) Review

Sherlock Holmes: Greatest Mysteries (5 DVD Set)
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It is tempting to deduct marks because of these not being digitally restored, but I am so thrilled to have this collection of 39 television episodes (and they were dirt cheap). Until recently I was completely unaware of this 1950's television series. I have since discovered that you can watch them on hulu, but the DVDs provide a commercial-free viewing option, and make a nice addition to my Holmes collection. Ronald Howard, who plays Holmes, is son of the rather more famous actor, Leslie Howard.
The television series is on three disks, and as a bonus you get two more disks with four Basil Rathbone movies, three movies staring Arthur Wontner, and one with Reginald Owen. Of course, if you're into Basil Rathbone, there are better collections, including some colorized and even a complete collection of all 14 of his Holmes movies digitally restored.


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Foyle's War: Set 1 (The German Woman / The White Feather / A Lesson In Murder / Eagle Day) (2003) Review

Foyle's War: Set 1 (The German Woman / The White Feather / A Lesson In Murder / Eagle Day) (2003)
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Perhaps it's my affection for England - a love that makes my wife roll her eyes - that causes me to have a higher regard for BBC and ITV small screen productions than those of America, which seem so crass in comparison. So many of the former seem uncommonly funny, intelligent, or both. FOYLE'S WAR is an uncommonly intelligent detective drama, a period piece set on England's south coast in 1940. And, to keep the record straight, my wife's dedication to this series is at least as pronounced as mine, if not more so.

Michael Kitchen is Detective Inspector Christopher Foyle, who's ordered to remain at his post as homicide investigator for Hastings and its environs; he'd much rather be doing his bit for King and Empire fighting the Nazis across the Channel. Indeed, his son is a flying officer with the RAF. The two other series regulars are Samantha "Sam" Stewart (Honeysuckle Weeks), the Women's Royal Army Corps enlistee assigned as his driver, and Paul Milner (Anthony Howell), Foyle's assistant inspector recently returned to home front duty after being wounded with the Army during the disastrous British invasion of Norway.

In Series One,the murders occur in contexts that include sexual harassment, anti-semitism, police brutality, local jingoism, sabotage, and conscientious objection - all set against a backdrop of Luftwaffe bombing raids and the fear of imminent amphibious invasion by the German Wehrmacht.

The character of Foyle - intelligent, perceptive, reserved, compassionate, wounded by his wife's recent death, worried for his son's safety - epitomizes the phrase "still waters run deep." The viewer embarks into each episode wondering what new layer of Foyle's persona will be revealed. (Not to give too much away, but I've just seen the first episode of Series Two, which gives evidence of an old and tragic love affair involving Foyle and a now-married gentlewoman.) And the evolution of the relationship between Foyle and the occasionally cheeky Sam is one of the major delights of the miniseries as the latter proves she's smart, intuitive, and potentially more useful than just a lowly chauffeur.

The various murders investigated by the trio are never straightforward, but involve clever plot twists and hidden motives, the solutions to which silently gestate in the Inspector's mind before being revealed at the end of the story, much like the Sherlock Holmes mysteries of old.

There are, of course, uneven moments to Series One which allow for only four stars. I trust, as the show matures, that it will only get better. The areas that need no improvement are the period costuming, props and sets, all of which are superbly done and a delight to an Anglophile.


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FOYLE'S WAR SET 1 - DVD Movie

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Life On Mars: The Complete First Series (U.K.) (2005) Review

Life On Mars: The Complete First Series (U.K.) (2005)
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I am ecstatic to see this wonderful series from the UK come out on DVD for us Americans to own. Life on Mars is one of the best live action series I have seen in a long time with a combination of great drama, comedy, and superb performances by all involved. John Simm and Philip Glenister who play Sam Tyler and Gene Hunt are especially fantastic, their chemistry as a team is exceptional.
If you happen to have seen the US series please give this version a chance as well. While the premise is the same they are very different in tone. The original UK series is grittier and the 1970's Sam finds himself in is much more politically incorrect adding a bit more conflict and spice to the series. Sam and Gene's relationship is also more of a buddy cop type compared to the father/son type relationship you get from the US version. Even the ending is completely different and in my opinion much more emotionally satisfying than the US one. The UK series is really one of a kind and should not be missed.
Note: This DVD only has the first 8 episodes of the series. The DVD with the final 8 episodes will be coming out sometime in 2010.


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The time-warping detective series seen on BBC America

Dreaming, delusional, or displaced in time? Police detective Sam Tyler (John Simm, State of Play) must decide which describes him in this intriguing twist on the police procedural that has won two International Emmys® and rave reviews from critics and fans.

Hot on a killer's trail in modern-day Manchester, Tyler gets struck by a passing car and wakes up in 1973. The high-tech tools and respect for proper procedure have vanished. Instead, he finds himself working on a homicide squad where hard drinking replaces hard thinking; forensics takes weeks to analyze; and his boss, DCI Gene Hunt (Philip Glenister, Cranford), has no qualms about roughing up suspects--or Sam himself. Still, Tyler has real-world crimes to solve, even as strange voices call him back to his 21st century life. But when he bonds with sympathetic policewoman Annie Cartwright (Liz White, The Fixer), Sam wonders: does he really want to return?

SPECIAL FEATURES:

Audio commentaries for every episode with cast and crew
"Take a Look at the Lawman," an hour-long documentary with cast and crew interviews and behind-the-scenes footage
Interview clip with director Bharat Nalluri
"The Music of Life on Mars" featurette with composer Ed Butt
"Get Sykes" featurette with production designer Brian Sykes
Outtakes reel


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Life on Mars: The Complete Second Series (2006) Review

Life on Mars: The Complete Second Series (2006)
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Sam Tyler is still stuck in 1973, unsure if he has somehow really travelled backwards in time or if he is merely stuck in a coma in 2006 and is fantasising everything that is happening to him. However, now he has been there for a few weeks he is getting more used to life in the 1970s and is starting to downplay the unusual auditory and visual hallucinations he continues to suffer from. But, just as things seem to be settling down, questions about Sam's previous 1970s life in 'Hyde' before relocating to Manchester arise, and set in chain a sequence of events which could lead Sam home...wherever that is.
Life on Mars' second season was the last, due to a combination of the producers not wishing to over-exploit the concept and lead actor John Simm's well-known reluctance to be typecast in a long-running television series. It was a bold decision for a series that had become a big hit on British television and done the seemingly impossible by getting audiences fired up over a cop show.
The second season offers up pretty much more of the same as the first season: Sam and Gene butt heads over their different approaches to policing, but they have, grudgingly, accepted that each has skills the other does not, and when they combine their approaches it often leads to good results. Sam and Annie continue to not quite get it together in the tradition of all great TV will-they, won't-they romances, and Sam continues to be haunted by hallucinations of his life in 2006 which relate to his current situation in 1973. The show also moves onto slightly more contentious ground in Season 2 by covering the more controversial subject of IRA terrorism in one episode whilst continuing to examine the extent of corruption and heavy-handed methods in the 1970s police force.
In my review of Season 1, I mentioned that the show's continuous use of Sam's odd mental state occasionally gets a little exasperating, as sometimes you'd quite like to just see Sam and Gene butt heads and then solve the crime without Sam freaking out every twenty minutes. The producers play on this in two episodes in particular in the second season, one in which Sam doesn't have any odd experiences and starts getting worried about the lack of them, and another in which Sam reacts very badly to whatever is happening to him in the present and has to sit most of the investigation out. This latter episode, which is by far the most 'freak-out' intensive of the series, also perversely is one of the very best episodes, with flashbacks showing how they operated before he arrived (and giving rise to the unusual sight of scenes not featuring Sam, which feels odd as he is in every other single scene of every other episode of the whole series).
Of course, as good as the individual episodes are (and they are pretty damn good), the one episode that everyone will be left talking about is the very last one. British SF is awash with series-ending episodes that leave the audience reeling and talking about them for years or decades afterwards: Blake's 7, Sapphire and Steel and The Prisoner being the most notable (Quantum Leap's befuddling finale is probably the USA's closest equivalent). Life on Mars joins their august ranks with a finale that takes the viewer on a crazy existential rollercoaster ride as we finally get an answer for what is going on with Sam, but that answer is in turn supplanted by another, contradictory one in a manner that would make Christopher Priest proud. Which is the truth and which do we believe? The finale operates on multiple levels of reality with the viewer not quite able to trust what is going on. There is a very clear 'obvious' possible answer for what is going on, but just as with David Lynch's Mulholland Drive, that 'obvious' answer still leaves other, key questions unanswered.
Taken in isolation, Life on Mars' finale is very strong indeed. However, the news that a sequel/spin-off series was forthcoming which would shed more light on events did dilute the strength of that finale a bit, and Ashes to Ashes' plot developments have indeed plunged much of what we thought we knew from Life on Mars' finale into doubt. But further examination of that series is for another review.
The second season of Life on Mars (****½) is thoroughly entertaining, funny, thought-provoking and just the right side of ambiguous. It draws a line under the series and sets up the sequel series quite nicely. It is available now in the UK (DVD, Blu-Ray) and will be released in the USA on DVD in November.

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The International Emmy®-winning series seen on BBC America
Same place, same job. Different time, different rules. That's the situation facing detective Sam Tyler (John Simm, State of Play) in this British drama that TV Guide calls "an entertaining collision of bare-knuckled police-procedural realism and mind-blowing surrealism."
Knocked unconscious by a hit-and-run driver in 21st-century Manchester, Tyler wakes up in 1973. Is he dreaming, time traveling, or just plain crazy? Whatever the case, he might as well have landed on another planet. Although shocked by the brutality of his bullying boss (Philip Glenister, Cranford) and the callousness of his squad mates, Sam gamely adapts to crime solving in this retro world. But even as romance blossoms with policewoman Annie (Liz White, The Fixer), mysterious voices from his former life keep calling him home. Trapped in the past, he must decide where his future lies--and how to get there--in the tension-filled finale.
DVD BONUS FEATURES INCLUDE -"The Return of Life on Mars" documentary (45 min.) -Bonus behind-the-scenes footage for episodes 3, 5, and 7 and tour of the set (48 min.) -"The End of Life on Mars" featurette (28 min.)

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The Saint - The Early Episodes, Set 2 (1967) Review

The Saint - The Early Episodes, Set 2 (1967)
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A&E doesn't list the episodes on the outside of the Set 2 box, or on their website, so here goes:
DISC ONE
The Fellow Traveler
Starring The Saint
Judith
Teresa
DISC TWO
The Elusive Ellshaw
Marcia
The Work Of Art
Iris
DISC THREE
The King Of The Beggars
The Rough Diamonds
The Saint Plays With Fire
The Well-Meaning Mayor
DISC FOUR
The Sporting Chance
The Bunco Artists
The Benevolent Burglary
The Wonderful War

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