Showing posts with label film noir. Show all posts
Showing posts with label film noir. Show all posts

The Third Man Review

The Third Man
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"The Third Man" was a late 1950s/early 1960s U.S./British co-production that was very loosely based on Carol Reed's classic 1949 film of the same name and starred Orson Welles as Harry Lime. In this television adaptation, Lime is an international businessman portrayed by Michael Rennie and, in many of the episodes, he is joined by his assistant Bradford Webster, portrayed by Jonathan Harris (yes, the same Jonathan Harris of "Lost in Space" fame). The tone and texture of this weekly series is much lighter than the film, but it can be enjoyed on its own merits.
This 10-episode, 2-DVD set from the Timeless Media Group, while much anticipated by this viewer, could have been better. The good news is that the episodes included in this set are, visually, a major improvement over a 4-episode single disc of "The Third Man" from Critics Choice Video that was released a few years ago. The prints are fairly crisp and clean looking, certainly better than what I would have expected for a release in this price range. Some background audio "flutter" can be heard in some episodes, but it's really not too intrusive. And, fortunately, none of the episodes in this collection are duplicates of the Critics Choice release, a real plus for collectors of this series. There are plenty of recognizable guest stars from both sides of the Atlantic, character actors like Nehemiah Persoff, Werner Klemperer, Robert Shayne, Hugh Marlowe, Mai Zetterling, Steven Berkoff, Marius Goring, Patrick Troughton and even Oliver Reed, among others, as well as the always fun-to-watch Jonathan Harris, who appears as a semi-regular.
Now for the bad news . . . the opening title sequence of Harry Lime walking alone on a dark, deserted street along with Anton Karas' famous theme music (the only real major carryover from the film) is played only once at the beginning of each disc, but has been completely eliminated from the beginning of each of the episodes. Each episode begins with the episode title card. While the closing end credits are left intact on most of the episodes, a few don't even have these. Also, the Timeless Media Group logo (TMG) appears in the bottom right hand corner for long stretches in each episode . . . another viewing annoyance.
"The Third Man" is a very rare television series to see . . . to my knowledge, it hasn't been broadcast in decades and there hasn't been much in the way of video and DVD releases in the ensuing years. So this release is a very welcome addition, and one has to give credit to the Timeless Media Group for taking a chance on this largely forgotten series. The pros certainly outweigh the cons, but one also wishes that Timeless Media would have done a better job with the presentation and, for this, I'm subtracting a star.


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Murder Rooms - The Dark Beginnings of Sherlock Holmes (2000) Review

Murder Rooms - The Dark Beginnings of Sherlock Holmes (2000)
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"Murder Rooms" consists of five episodes, starring Ian Richardson as Dr. Joseph Bell, the historical personage on whom Arthur Conan Doyle allegedly based Sherlock Holmes; with Dr. Watson based on Doyle himself. The 116-minute first episode ("Dr. Bell and Mr. Doyle, The Dark Beginnings of Sherlock Holmes") was a BBC series pilot released in January 2000. In "Dr. Bell and Mr. Doyle...," Robin Laing starred as the young Doyle in medical school. This pilot has been available in NTSC for two years (see Amazon's listing) and IS NOT INCLUDED IN THIS PACKAGE. In the remaining four 90-minute episodes comprising this set (on BBC in September-October 2001), episode chronology begins three years later, Charles Edwards assuming Laing's role as the young, idealistic but adult Doyle with his own medical practice. Information on source books, author David Pirie, screen credits, histories, plot synopses and cast are available at murder-rooms.com
FOR BEST APPRECIATION, ONE MUST TREAT THIS SERIES AS AN INTEGRATED FIVE-PART, EIGHT-HOUR MINISERIES, beginning with the pilot "Dr. Bell and Mr. Doyle..." setting the backdrop against which the other four, described IN ORDER below, play out. Missing "Dr. Bell and Mr. Doyle...," this reviewer STRONGLY RECOMMENDS you purchase this set now and set it aside until that pilot can be seen. In "The Patient's Eyes," a black-shrouded cyclist repeatedly stalks a lady patient cycling to Dr. Doyle eye appointments through eerie wooded terrain, leading to a mysterious abandoned house, love-interest conflicts, betrayal, and murder. (There are striking scene similarities to "The Solitary Cyclist.") In "The Photographer's Chair," a series of murder victim corpses bearing strange marks lead to mesmerism, spiritualism, séances, apparitions, erotic mutilation, daguerreotype photography, and genuinely chilling moments. In "The Kingdom of Bones," the publicized spectacle of unwrapping an apparent Egyptian mummy for scientific study yields highly unexpected results leading to suicide, dinosaur bones, gypsies, kidnapping, attempted murder, multiple murders, and political terrorism. And in "The White Knight Stratagem," Doyle and Bell come to a near falling-out involving a Dickensian business climate leading to suicide and murder; with a curious chess enigma hovering over everything. This last episode concludes the miniseries and should be viewed last.
These adaptations get this reviewer's highest commendation, being at least the equal (or better?) of the David Suchet / Jeremy Brett adaptations in their prime.The general tone is exceedingly dark, uncompromising, and far more menacing than the light-hearted Poirot-Holmes adaptations. (The atmospherics remind this reviewer of that excellent film "From Hell.") Excepting as discussed below, nothing in these episodes is short of first-class: plots, incredible principal and supporting cast, direction, cinematography depicting 1880s Victorian Edinburgh, hauntingly mysterious musical score, period mood, and the appallingly brutal times with modern medicine in infancy. Sound is fine; extraneous background noise is nil; diction is clear with no accent barriers.
So superior is MPI's production that current PAL DVD owners may want to buy the NTSC release anyway! The widescreen 16x9 anamorphic picture is excellent, with night scenes sharp yet still mysterious. This reviewer doesn't know how the original episodes were recorded, but suspects that the widescreen image seen here was likely achieved by slicing off top and/or bottom portions of an original 4x3 TV image: some close-up shots have head-tops suspiciously out of range, a typical symptom. But such trimming is a small price for what one sees on an HDTV system as contrasted to the original PAL release. Unlike that release, MPI also provides both running time display and chapter breaks; and the periodic PAL scene blackout interruptions (presumably omitting advertisements) are gone, greatly enhancing the narrative flow. There are two DVDs contained in one keep-case with an inner leaf. Each DVD has two episodes on the same side with full menu accessibility.

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Item Name: Dr. Bell and Mr. Doyle - The Dark Beginnings of Sherlock Holmes; Studio:Bfs Entertainment

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