Showing posts with label cbs. Show all posts
Showing posts with label cbs. Show all posts

I Love Lucy's Zany Road Trip: California Here We Come Part 2 (1951) Review

I Love Lucy's Zany Road Trip: California Here We Come Part 2  (1951)
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This videotape has the second half of the celebrated Hollywood episodes from "I Love Lucy," including classic guest performances by John Wayne and Harpo Marx. Episodes 121-127 are from the fourth season of the show, and were written by Jess Oppenheimer, Madelyn Pugh, and Bob Carroll, Jr. The others are from the fifth season, when Bob Schiller and Bob Weiskopf were added to the show's writing staff:
Episode 121, "Hollywood Anniversary" (April 4, 1955), has Ricky forgetting his anniversary and lying to Lucy about having planned a big party with lots of celebrities at the Mocambo. She refuses to attend the party he comes up with instead and Ricky has to get her there so he can sing the "Anniversary Waltz" to her.
Episode 122, "The Star Upstairs" (April 18, 1955) is Cornel Wilde, who has made the mistake of staying in the suite over the one Lucy is in at the Beverly Palms Hotel. Lucy has to meet him, so she dresses up as a bellboy and gets to see more of the movie star than she bargained for.
Episode 123, "In Palm Springs" (April 25, 1955) has Lucy and Ethel taking Mrs. McGillicuddy (Kathryn Card) to Palm Springs to take a break from the boys. Ironically, after a couple of days away the girls are missing the boys, even when they run into Rock Hudson. Interesting footnote: Hudson's appearance marked the first time Universal Studios allowed someone under contract to be on a filmed television show (versus a comedy-variety show).
Episode 124, "The Dancing Star" (May 2, 1955) has Caroline Appleby (Doris SIngleton) showing up for a surprise visit on her way to Hawai'i, all because Lucy has been bragging about her friendship with Van Johnson. Lucy claimed she would be dancing with the movie star, who is appearing at the hotel, so Caroline stops by to see them dance. So Lucy has to persuade Van Johnson to dance with her, which involves "talking nutsy-cuckoo." "How About You?" is the song they end up dancing to (although originally the episode was written for Ray Bolger).
Episode 125, "Harpo Marx" (May 9, 1955) picks up on the previous episode in that Caroline Appleby stays over an extra day to see who else shows up at the Ricardos suite. So Lucy and Ethel steal her glasses and Lucy impersonates Clark Gable, Gary Cooper, and other stars. But when she dresses up as Harpo, Ricky brings the real Marx Bros. up to see Lucy. Harpo plays "Take Me Out to the Ball Game" on his harp and then does the mirror scene from "Duck Soup" with Lucy. Harpo by himself would make this a classic episode, but two redheads are definitely better than one.
Episode 126, "Ricky Needs an Agent" (May 16, 1955), begins with Lucy sick of waiting for MGM to get Ricky a new movie role. So she pretends to be his new agent and makes it sound like Ricky is so in demand that the studio releases him from his contract so that they do not stand in his way. Now Lucy has to tell Ricky he can forget about a career in Hollywood.
Episode 127, "The Tour" (May 30, 1955), shows that if the stars will not come to them, Lucy and Ethel will go to the stars. So they take a tour of the homes of the stars in Beverly Hills. The trouble begins when Lucy decides she needs a grapefruit from a tree in Richard Widmark's yard and gets trapped in the star's house trying to get out. Meanwhile, guess who Widmark is having lunch with?
Episode 128, "Lucy Visits Graumans" (October 3, 1955), has Lucy and the Mertzes trying to see everything there is to see in Hollywood before they head back to New York. When Lucy discovers that John Wayne's cement block is loose at Grauman's Chinese Theater, she decides it would make the ultimate souvenir. The problem is that they drop it and it shatters. This leads us to...
Episode 129, "Lucy and John Wayne" (October 10, 1955), has Lucy and Ethel wanted by the police because of the missing cement block, so Ricky calls up John Wayne who agrees to sign another slab. The problem is that it seems no matter how many slabs the Duke makes, the Redhead finds a way to destroy them. Another classic "I Love Lucy" episode.
Episode 130, "Lucy and the Dummy" (October 17, 1955), has Ricky refusing to perform at a studio party after Lucy had once again volunteered his services. So Lucy makes a dummy of her husband, using a rubber head the studio had made for makeup tests. The problem is that on stage the dummy gets stuck to her veil. That dummy really creeps me out (my vote for all time creepiest ventriloquist dummy). Lucy sings "I Get Ideas" in this one.
Episode 131, "Ricky Sells the Car" (October 24, 1955), gets the gang ready for the trip home. Ricky sells the car, at a profit, and buys train tickets for the return trip back East. But when he forgets about buying tickets for the Mertzes, Fred and Ethel have to make other arrangements. A minor episode, all things considered.
Episode 132, "The Great Train Robbery" (October 31, 1955), has the Ricardos and Mertzes on the SUper Chief. This one comes down to a simple gag. Lucy has been told by the conductor (Frank Nelson), not to pull the emergency brake. But you see, there are these two jewel thiefs on board and you know you cannot tell Lucy not to do something.
Episode 133, "Homecoming" (November 7, 1955), finds the Ricardos finally back in New York, where everybody is falling over all Ricky like he made a movie or something. Surprisingly, Lucy decides to buy into the idea and realizes that she must dedicate herself to being Ricky's wife, which sounds good to Ricky. This one is an anticlimax given the previous episode, which would have made for a better ending.

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Best of Password Review

Best of Password
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I am so glad that this is out. I have most of these episodes on tape but to see them in great quality is super! What I am curious about is if we are going to get a big surprise if a second volume comes out called "The ABC Years 1971-1975" This would be a great release but the ABC episodes are presumed to be lost. The UCLA TV archive has about 10 episodes and GSN has ran 1 episode from the 1973 season with Jack Klugman and Brett Somers. There is also an episode from 1972 with Sheila MacCrae and Martin Milner that exists as well. Let's keep our fingers crossed and if you love classic game shows, this is a keeper!

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Petticoat Junction - The Official First Season (2008) Review

Petticoat Junction -  The Official First Season (2008)
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I almost didn't purchase this set due to the negative comments before the release, but really wanted the 2nd half of the first season that wasn't on the other DVD set. After watching the first 8 episodes, I thought I'd let other skeptics know that these episodes are full length with Curt Massey's original music score. Also, in the episodes I've seen so far, there are no
product placements on the end credits. Don't worry, there isn't a black box
covering up that bar of soap; it's just not there. If you select special features on the main menu, you can select play all episodes with a brief intro by Linda Kaye Henning (Betty Jo) or Pat Woodell (Bobby Jo) or both of
them in some cases. Now let's not keep the Petticoat Junction fans waiting, please release the rest of the seasons in a timely manner!

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Studio: Paramount Home VideoRelease Date: 12/16/2008Run time: 974 minutesRating: Nr

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Petticoat Junction: The Official Second Season (2009) Review

Petticoat Junction: The Official Second Season (2009)
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This was one of a group of CBS rural comedies popular in the 1960's that were actually grouped together as far as having interdependent casts - "The Beverly Hillbillies" and "Green Acres" being the other two series.
The show is about life at the rural Shady Rest Hotel, owned and operated by widow Kate Bradley (Bea Benaderet). Action centers around guests at the hotel as well as Kate's three attractive daughters, Betty Jo, Bobbie Jo, and Billie Jo. The actresses portraying Billie Jo and Bobbie Jo changed over the years. In fact, season two is the last of two seasons for the first actresses to portray these roles. Betty Jo, the youngest and the tomboy, was played by the Linda Henning, daughter of the series creator Paul Henning, for the entire run of the series. The hotel is literally in the middle of nowhere, halfway between two very small towns. The actual location (state for example) is never given, and the issue of how exactly it is that Kate manages to make what seems to be quite an adequate living running a hotel that theoretically should have few if any guests is never even addressed. This is a show very much rooted in the early 60's, and the idea is escapism and fun, not realism.
The first season of this show that was put out a few months ago is excellent. They were not the cut down versions that TVLand showed, so I expect these to be the same, although you never know with Paramount, The Odd Couple being exhibit A.
This season is from the 1964-1965 TV season, and thus there are lots of episodes (36 I believe), since production costs were lower and thus reruns were fewer. This is not something you'll want to sit down and watch back-to-back marathon style. Instead, I'd watch a couple of episodes a week. That way you maximize the fun of the show, and it still holds up pretty well today, and minimize the sameness you might feel if you just watch one episode after another.

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The Twilight Zone: Season 1 (1960) Review

The Twilight Zone: Season 1  (1960)
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Right around the time of their release a couple years ago, I invested in Image's series of five 9-Disc box sets that collected every Twilight Zone episode from the original '59 series. From a collector's standpoint, this seemed like a great move, as these sets turned out to be much more affordable than the previous releases, which were 45 individual volumes. I figured I had the collection and could sit back and relax. I really enjoyed the sets (my reviews of them can be found here, as a matter of fact) and watched them ritually once I owned them.
In March 2004 when the rumors first hit that definitive season-by-season sets were to hit, I put my collection on e-bay and received almost all the money I invested in them in return. Yes, as a diehard TZ fan, I support the definitive releases wholeheartedly. Part of being a DVD collector is knowing that upgrades are imminent. In fact, this may not be the last time I invest in the series... experts forsee Blu-ray coming into play within the next 5 years and a company like Image with no single film or TV property to their name bigger than The Twilight Zone may someday release these with HD transfers on Blu-ray disc. DVD, like a cheaper version of Laserdiscs, is ten times the collector's format that VHS ever was.
In short, Image doesn't expect everyone to upgrade. They're not trying to bleed the same customers dry. But they are making a ton of the diehards and DVD collectors truly ecstatic. What hasn't been mentioned in any of the reviews here yet is THAT THE VIDEO AND AUDIO HAVE GONE THROUGH A RESTORATION PROCESS -- they LOOK AND SOUND BETTER than they ever have before, whether your first exposure to them was on CBS in the early 60s, in the late 70s (when the re-runs were very popular), or during the holiday marathons of the 90s and today on the Sci-Fi Channel. Not only that, but included are Rod Serling's "Next week..." teasers and, for the first time, audio commentaries by major players in the episodes themselves as well as crew members (Martin Landau in "Mr. Denton...", Earl Holliman in "Where is Everybody?", and Kevin McCarthy in "Long Live Walter Jameson" immediately spring to mind). As a TZ diehard, I thought I'd seen and heard as much as I'd ever get to, but Image has put together something new for me to look forward to. The "audio lecture" Amazon refers to is from Sherwood Oaks College and is split into several parts. There is a great deal of discussion regarding "Walking Distance" for instance -- and we are able to listen to it while watching the episode at the same time. It runs nearly the entire length of the episode. Real treats also include Zicree's interviews conducted in the late 70s for the writing of his book with such stars as Burgess Meredith and Anne Francis.
Also -- the old collections tried to theme the episodes on each disc, but this simply didn't work for me. Too often I'd only want to watch one of the episodes on a disc and would have to frequently change out. With this set, we'll be getting the first season which, in a point that is rarely disputed, is the best of the series:
Where Is Everybody?, One for the Angels, Mr. Denton on Doomsday, Sixteen Millimeter Shrine, Walking Distance, Escape Clause, The Lonely, Time Enough at Last, Perchance to Dream, Judgment Night, And When the Sky Was Opened, What You Need, The Four of Us Are Dying, Third from the Sun, I Shot an Arrow into the Air, The Hitch-Hiker, The Fever, The Last Flight, The Purple Testament, Elegy, Mirror Image, The Monsters Are Due on Maple Street, A World of Difference, Long Live Walter Jameson, People Are Alike All Over, Execution, The Big Tall Wish, A Nice Place to Visit, Nightmare as a Child, A Stop at Willoughby, The Chaser, A Passage for Trumpet, Mr. Bevis, The After Hours, The Mighty Casey, and A World of His Own.
So while Image doesn't expect you to double dip, you gotta feel good going knowing you have that option someday. I don't think "corporate greed" factors into the equation as much as customer demand from fans like myself (as well as the logical necessity) for one of the best shows of all time to have an exhaustive and organized set of releases. Take care and we'll see you in the fifth dimension!

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All 36 episodes of the first season of Rod Serling's classic, groundbreaking series, now presented in pristine high definition for the first time ever!
Loaded with new and exclusive bonus features not available anywhere else including extremely rare, never-before-released unofficial pilot 'The Time Element" written by Rod Serling and hosted by Desi Arnaz - the episode that started a cultural phenomenon - presented in glorious high definition!
All new 1080p high-definition transfers have been created from the original camera negatives, as well as uncompressed PCM audio, remastered from the original magnetic soundtracks.Season One Episodes:Where Is Everybody?, One for the Angels, Mr. Denton on Doomsday, The Sixteen Millimeter Shrine, Walking Distance, Escape Clause, The Lonely, Time Enough at Last, Perchance to Dream, Judgment Night, And When the Sky Was Opened, What You Need, The Four of Us Are Dying, Third from the Sun, I Shot an Arrow into the Air, The Hitch-Hiker, The Fever, The Last Flight, The Purple Testament, Elegy, Mirror Image, The Monsters Are Due on Maple Street, A World of Difference, Long Live Walter Jameson, People Are Alike All Over, Execution, The Big Tall Wish, A Nice Place to Visit, Nightmare as a Child, A Stop at Willoughby, The Chaser, A Passage for Trumpet, Mr. Bevis, The After Hours, The Mighty Casey, A World of His Own. Season 1 included such stars as Anne Francis, Burgess Meredith (eventual veteran of numerous TZ episodes), Ida Lupino, Jack Klugman, Richard Conte, Gig Young, Nehemiah Persoff, Sebastian Cabot, Claude Akins, Earl Holliman, Roddy McDowall, Kevin McCarthy, Ed Wynn, Murray Hamilton, Vera Miles and Ron Howard, all featured in classic episodes.Before the season had even finished, it was hailed by the critics, named by Daily Variety as "the best that has ever been accomplished in half-hour filmed television," a new phrase had entered the pop-culture lexicon and its success and impact is still felt today - fifty-one years after its debut.

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The Fugitive: Season Three, Vol. 2 (2009) Review

The Fugitive: Season Three, Vol. 2 (2009)
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The music in Season 3 Volume 2 seems to be a mixed bag. Some episodes are nearly free of the awful Heyes replacement music, while others have much more.
NOT WITH A WHIMPER has quite a bit of Heyes replacement music. I noted soft Heyes cues at 18:00, 25:52, 29:32, and loud Heyes at 18:21, 28:40, 36:10. But I gave up taking notes in Act 4 when my hand started to cramp from jotting down all of the Heyes cues that I heard.
WIFE KILLER is a pleasant surprise. Yes, there are a few Heyes cues, but just a few. Overall, this episode's original music is mostly intact. I wonder if we'll ever get an explanation from CBS as to how one episode can be awash in Heyes, while the next is almost Heyes-free? Go figure.
THIS'LL KILL YOU lands somewhere in the middle. It's about 50% original and 50% Heyes. The more prominent Heyes cues are at 15:29, 29:32, 35:25, 42:15, and the one at 47:07 was so loud that it nearly blasted me out of my chair. Most of the too-loud Heyes cues are in Act 4.
ECHO OF A NIGHTMARE has a handful of Heyes cues. The ones that are noticeable are at 0:08 (in the teaser?!), 11:09, 17:11, 28:19, 35:02, 36:18, 43:19, and 47:09. But there are several more that are softer and blend so well that you don't notice them at first. Even though this episode has a fair amount of Heyes, it feels more like an original episode since so much of the Heyes is well-blended. Oddly, even though the music in the episode's teaser has been replaced by a Heyes cue, the identical scene in the episode (from which the teaser is lifted) has the original music! You can thank the roomful of monkeys in CBS' Audio Department for this gaffe.
STROKE OF GENIUS is almost completely untouched. The only Heyes cue that I noticed is at 4:08. The cue has the crisp artificial sound of a synthesizer, but is not overly loud. The remainder of the original music is intact.
SHADOW OF THE SWAN is mostly intact. All of the original carnival music and the cue near the end where the "swan" dies have been replaced.
RUNNING SCARED is almost completely intact, with only the background music in the airport lounge scene in Act 1 replaced. I thought that the scriptwriter gave us a nice bit of humor when Kimble's sister, meeting up with Kimble for the first time in many months, hands over his accumulated mail - mostly junk mail from pharmaceutical companies! It was a nice touch.
THE CHINESE SUNSET has a few Heyes cues, at 10:05, 20:53, 22:48, 44:24, 46:45, 47:25, and 48:38, but most of them are quiet and well-blended. Only the ones in Act 4 are noticeably loud.
ILL WIND is intact as far as I could tell. I heard no Heyes cues. Jonesie's song is intact. However, this episode's audio track is approximately 100ms out of sync with the video. This amateur mistake would never have been made if the cheapskate CBS management had given their technicians adequate time to do a thorough job.
WITH STRINGS ATTACHED is mostly intact. I heard Heyes cues only in Act 4 and in the Epilog, at 46:40, 47:49, 48:05, and 49:24.
THE WHITE KNIGHT is completely trashed with Heyes cues. A few of the Heyes cues that I heard are at 2:38, 4:43, 10:48, 20:04, 20:47, 22:05, 22:58, 23:26, 27:24, 28:00, 31:20, 33:18, 34:51, 35:47, 38:19, 40:26, 43:12, 45:36, 47:01, 48:29, 49:07. I heard only two original Rugolo cues in the entire episode.
THE 2130, probably the series' best 'chase' episode, has unfortunately been saddled with a lot of replacement music. In my estimation, it's about 40% original and 60% Heyes. I noted Heyes cues at 6:51, 12:04, 17:15, 21:38, 22:44, 24:06, 25:08, 37:40, 40:07, 41:35, and 48:08. Many of these are long cues.
- continued -
Those Fuge fans who are familiar with the original score will remember the majestic cue that underscores the Establishing Shot of the 'Medical Research Center'. This cue correctly appears at 17:04 (abbreviated), and at 28:58, but is REPLACED by Heyes cues at 12:03, 41:32, and 48:08! This is sheer incompetence on the part of CBS/Paramount - the sort of incompetence that would never have happened at Paramount before the shortsighted, cost-cutting CBS management took over.
A TASTE OF TOMORROW has a few Heyes cues, but just a few. I noted Heyes cues at 0:00 (in the teaser?!), 31:52, 33:45, 34:25, 34:53. The Heyes cues are reasonably-well blended. To my ears, this episode sounds 95% original.
IN A PLAIN PAPER WRAPPER has a few Heyes cues, at 12:56, 13:12, 27:40, 35:08, 38:40, 40:23, 41:09, 43:53, 45:36, 49:51. Acts 1 and 2 sound mostly original, with the replacement music getting heavier in Acts 3 and 4. To my ears, this episode sounds 80% original.
CORALEE, the final episode of the set, is completely saturated with Heyes replacement music. It would be pointless to list all of the cues here. There are only two original Rugolo cues in the entire episode, at 36:02 and 50:08 (during the final fade-out!). Some of the replacement cues are obvious soundalikes for classic Rugolo cues, e.g., those that occur during the Act fade-ins and fade-outs.
- continued -
The efforts of the CBS audio technicians were obviously cut short by their cost-cutting management, as evidenced by the fact that this episode's audio track is 150ms out of sync with the video. This amateur mistake would never have been made if the cheapskate CBS management had given their technicians adequate time to do a thorough job.
I've noticed that in several episodes, CBS has used overly-loud Heyes cues to underscore the episode's climax, usually occurring in Act 4. In Heyes-heavy episodes, Act 4 generally seems to be the most contaminated with the awful replacement cues.
SUMMARY --
Even though there are some good episodes in this set, they are overshadowed by the unconscionable amount of replacement music in S3V2. The haphazard and needless replacement of original cues has Fuge fans shaking their heads in disgust.
In the wake of the S2V1 music fiasco, CBS promised to reinstate the original Rugolo cues, as there was never any legal problem with their use. Now CBS has gone back on their word, replacing a great many Rugolo cues with awful synth music.
It wouldn't be so bad if CBS replaced an occasional cue whenever there was some difficulty in obtaining legal clearances. But there's no excuse for reneging on their promise to reinstate the original Rugolo cues.
I find it utterly mind-boggling that CBS would throw away perfectly good Rugolo cues, and replace them with the awful Heyes cues. I can think of only one reason why CBS would do this.
My guess is that CBS management is trying to rationalize the utter fiasco of S2V1 by trying to put a positive spin on it.
"Hey, we didn't REALLY make a colossal blunder by commissioning the Mark Heyes music. We made a WISE INVESTMENT in new replacement cues, which we can now use to replace all of those old, classic Rugolo cues. You see? We're getting our MONEY'S WORTH out of the Heyes music!"
No, you're just fooling yourselves, CBS. S2V1 was a major screw-up, plain and simple.
Let's look at this in dollars and cents, CBS. You probably paid Mark Heyes roughly $20,000 to compose the replacement cues. But when you use the Heyes cues to replace PERFECTLY GOOD Rugolo cues, you end up PISSING OFF legions of Fugitive fans, who then STOP BUYING your dvds, causing you to lose $100,000 or more in sales. You tell me, is that good business?
It's time to admit your mistake, CBS. You screwed up. Your lawyers didn't do their homework, causing you to commission new replacement music that wasn't necessary.
And now you're throwing away perfectly good Rugolo cues just to give you an excuse to use those unnecessary replacement cues. And you're deluding yourselves by thinking that you're now getting your money's worth for what was paid for the replacement music.
But here's the rub, CBS. Whenever you use the Heyes cues, you make the situation worse. You piss off even more fans. You lose even more in sales. You dig the hole a little deeper.
It's time to cut loose the dead weight of the Heyes music. Time to let it go, CBS. Just write it off, as you would a bad investment. That's what it is, really. A bad investment. A bad decision. A world-class blunder.
Take the Heyes music and toss it into the nearest trash can. Then, do your best to salvage the situation. FIX THE MUSIC. Otherwise, you'll alienate the very same people that you're counting on to buy your dvds.
Remove EVERY LAST HEYES CUE from Seasons 2 and 3, and restore the original music. (And don't make use of any replacement music in the upcoming release of Season 4.)
It's time for you to stop making excuses and cutting corners, CBS. It's time for you to go back and DO THE JOB RIGHT.
MY RECOMMENDATION --
I recommend giving this one a miss. Rent it, if you must, but don't buy it. Don't put your money into the pockets of CBS, which continues to ruin one of television's greatest dramatic series.
By CBS' own admission, the only musical cues in question are those which were originally licensed from the Capitol Music Library, the ownership of which is currently in dispute.
If CBS had attempted to stay as true as possible to the original music by only replacing those few Capitol cues -- "We had to replace just one Capitol cue in this episode, two Capitol cues in that episode, while we were able to leave this third episode untouched." -- then most Fugitive fans would have cut CBS some slack.
But to replace thirty, forty, even fifty cues in a single episode -- cues...Read more›

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The Unit: The Complete Second Season (2006) Review

The Unit: The Complete Second Season (2006)
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This is the best special forces series i have seen and the second season is even better than the first one.

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