Showing posts with label science fantasy television program. Show all posts
Showing posts with label science fantasy television program. Show all posts

Doctor Who: The War Machines (2008) Review

Doctor Who: The War Machines (2008)
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Doctor Who altered its course with The War Machines. Rather than travelling to a distant planet to meet strange-looking aliens, or to Earth's past to encounter a significant historical figure, War Machines is set in comtemporary London, the swinging mid-60s, and it shows! For the very first time in the series' young history, the Doctor and his companion(s) face a modern-day threat, the first time, that is, when they are large enough to interact with the rest of the characters, unlike Planet of The Giants.
As Professor Brett states, WOTAN is ten years ahead of its time. Well, maybe not ten. Perhaps only five years, which would put it smack down in the beginning of the Pertwee Years, right next to a simlar story, Mind of Evil, about a machine taking over people's minds. If anything, The War Machines foreshadows the Third Doctor's era. Hartnell dabbles with electronic gadgets, works with the military (not UNIT yet, but very UNIT-like), and endures incompetent politicians to prevent a menace from taking over the world. Sound familiar? The Pertwee Years four years early. In fact, if you re-hash this script and use it toward another popular 60s TV program, The Avengers, it would feel right at home. I anticipated John Steed and Emma Peel to show up on my TV screen at any minute.
Incidentally, the notion expressed that Doctor Who finally has taken its intended form with The War Machines is about as bogus the Doctor's background being changed during the McCoy years to be something more than a timelord. The intended course in any series is how it originates, not how it becomes. The originators of any series always deserve the "intended course" label. This is not to say that the new direction of the show is bad, but let's not claim that this is where Sidney Newman & Verity Lambert envisioned Doctor Who going.
Basically, The War Machines steers Doctor Who in a new direction, a very subtle foreboding of the early 70s, worth every one of the four stars I gave it. However this story could have been a five-star beauty. How you ask? Where have you gone Ian & Barbara. The Doctor may as well have been companion-less. Dodo barely features at all, disappearing somewhere in episode two, never to be seen again. We are given the revelation at the end that she has decided to stay in London, and bids the Doctor goodbye by relaying a message through the new companions, Ben & Polly. As the Doctor says, that's gratitude for you, not even showing the decency to see the Doctor off personally after being given the experience of her life. Dodo should have gotten a more substantial exit. As for the aforementioned new companions, Ben & Polly fit in with the swinging 60s era, and Polly is pleasing to the eye, however they are no Ian & Barbara. In retrospect, War Machines could have been the perfect swan song for Ian & Barbara. I can just see them telling the Doctor that "we have decided to remain here" at the end of this story, fate having steered the Tardis back in their own time finally. An opportunity sadly lost...


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Doctor Who: The Gunfighters (1966) Review

Doctor Who: The Gunfighters (1966)
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"The Gunfighters" is hardly one of William Hartnell's best "Doctor Who" stories. In fact, this story, in which the Doctor (Hartnell), Steven (Peter Purves) and Dodo (Jackie Lane) get mixed up in the legendary Gunfight At The OK Corral, had the reputation for many years as being the all-time worst "Doctor Who" story ever made! It's horribly acted (with the exception of the three leads), with several supporting actors doing horrible American accents (or not even trying to), the script is poorly written, the direction is misguided, and the big final gunfight is horribly staged (all that shooting at each other at close range and *missing*---pathetic!). And then there's that annoying song about The Last Chance Saloon that plays over and over and over and OVER again throughout the whole damm story!
But the one saving grace of "The Gunfighters" is that it's funny, even if most of the laughs are unintentional. Hartnell and Purves are both a hoot in this one---the Doctor and his amusing toothache problem, and Steven hilariously being forced to sing "The Last Chance Saloon" song at gunpoint---and, of course, the mistakes I've mentioned above. And, to it's credit, the story never commits the crime of being boring. "The Gunfighters" is a trainwreck, but at least it's a funny, entertaining trainwreck. A masterpiece it ain't, but, in it's own very strange, very goofball way, "The Gunfighters" still manages to be fun. In short, it's the best bad "Doctor Who" story ever made. How's that for a review?

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Doctor Who: The Invasion (Story 46) (2010) Review

Doctor Who: The Invasion (Story 46) (2010)
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It was a shock to see an incomplete story... made complete via animation?!
The highlight of this story is the background history and what transpired to make this 'missing' story into a released DVD set.
The sixth season of the show (1968-1969) had a lot of scripts falling through. As a result, commissioned stories had to be stretched out longer. "The Invasion" is one such story. The good news is, the gravitas of the character and performance of the actor (Kevin Stoney) playing Tobias Vaughn helps elevate this story and keeps it moving. The story is essentially him vs the Doctor, with Tobias attempting to use the Cybermen to his benefit while the Doctor enlists the help of a newly formed secret paramilitary organization that battles alien invaders; UNIT (United Nations Intelligence Taskforce).
I would say episodes 6 and 7 do drag on a bit, but there are plenty of set pieces that re-awaken you at the right times.
As usual, sound and video for a program made in this time are sensational. And the extras and commentaries made by still-living cast and crew alone pay for this story; and then we get the story itself...
Here's the rundown: In the 1970s, the BBC junked many programs from its archives. The Patrick Troughton era of "Doctor Who" was badly hit. As a result, most of his stories have been destroyed.
Fortunately, over the years, episodes are found in warehouses, returned to the BBC by countries who bought licenses to air the old episodes during the 1960s and never junked the films themselves, or returned by collectors - who are far more philanthropic than many we'd otherwise give the title to.
Additionally, during the 1960s, home video recorders didn't exist. (Another 12 years would pass before the technology became feasible... or popular.) So people recorded them onto audio tape, often by dangling a microphone in front of the TV set.
As part of the restoration process (and having seen many VHS copies, some work had to be done), the end result of episodes 2, 3, and 5-8 are marvelous. And this is the first professionally released version of the story where all the Cybermens' dialogue can be heard distinctly, with full clarity. The previous releases I've seen just didn't have the cleanup applied and the difference is PHENOMENAL.
But the icing is on the cake: Episodes 1 and 4 have been re-created via cleaning and amalgamating numerous audio tape sources, with animation applied. And the animation is spectacular. It doesn't steal any opportunities to go "over the top", there is a genuine sense of the animators trying to be true to the original footage as possible (though some embellishments are inevitable; the master tapes and films nonexisting). It's very clever, grabs your attention, doesn't seem at all shoehorned in, and the audio quality is spectacular. The extras go into the history of program junking, how audiotracks were recovered, and a well made piece on how they were cleaned - I don't want to spoil it here, but as with the main story, there is not one piece of extra that does NOT entertain or edify!
HIGHLY recommended.

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The Doctor, Zoe and Jamie team up with UNIT to fend off a worldwide invasion of Cybermen. Brigadier Lethbridge Stewart puts you in the picture concerning the action in the missing episodes.DVD Features:Audio Commentary:Audio Commentary by actress Elisabeth Sladen, co-writer Bob Baker and producer Philip Hinchcliffe. Other:Doctor Who is in the Guinness Book of World Records as the longest running sci-fi series in television history


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Doctor Who: The Beginning (An Unearthy Child / The Daleks / The Edge of Destruction) (1963) Review

Doctor Who: The Beginning (An Unearthy Child / The Daleks / The Edge of Destruction) (1963)
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WHAT A WAY TO CELEBRATE 40+ years in time and space with the first 3 episodes! Presented here are the first 3 William Hartnell stories arcs in 1 set. This is a great way to be introduced to the longest running TV sci-fi series in (and of) history. When we first meet the Doctor's "granddaughter" SUSAN, through her concerned and curious school teachers, IAN & Barbara. The Doctor, very the ANTI-HERO, almost frightening in this story, as he almost abducts the pair to protect his secret (not that he is a Timelord) that he is from "the future" and can travel in time and space. The outer shape of the time machine, A.K.A. the TARDIS remains stuck in the famous police-call-box disguise as it appears on the cusp of the "ice age." After a great 2 episode start, "Unearthly Child" becomes a fairly cliched tale of escape and capture RUNNING from and with cavemen. In 1963, Film and time was at a premium for the fledgling show, so many flubbed lines and missed cues remain in this remastered set. IT IS STILL A MUST SEE/OWN STORY FOR new and old DR. WHO FANS.
The next story introduces the Doctors 40 yr. nemesis, and easily he revial for pop culture popularity, THE DALEKS in the aptly title story arc, "The Daleks." For a series that was intended to introduce history to children, the show immediately gets off track in this 2nd story, introducing the Doctor's classic alien-cyborg foe, thank God. Overall, not a great story, but it is so monumentous a meeting that it is fun to watch on that merit alone!
The 3rd story arc "The Edge of Destruction" is what the Trek writers refered to as a "bottle episode." In an attempt to cut costs on enough stories to save money for the big shows, we have a story contained completely in the TARDIS control room. The "characters trapped in an elevator" story is a fast, cheap way of establishing and defining characters early in a series, Edge of Destruction is highly successful in this way.
This is a great set at a good price.
DON'T SETTLE FOR crummy BOOTLEGS! GET THESE CLEANED & POLISHED PIECES OF TIMELORD HISTORY!

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