Showing posts with label first doctor. Show all posts
Showing posts with label first doctor. Show all posts

Doctor Who - Cybermen, The Early Years (1975) Review

Doctor Who - Cybermen, The Early Years  (1975)
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Even in a fragmentary state, the four episodes (from 'The Moonbase' - episodes 2 and 4 - and 'The Wheel in Space' - episodes 3 and 6) on this tape represent two of the most genuinely eerie stories ever made. Don't believe me? Try watching in a darkened house at about 11pm with your suspension of disbelief lurking somewhere in the corner behind the cat. Still some of my all-time favourites, and something no fan of the early days of Doctor Who should miss. And after you've finished with Cybermen, go find 'Daleks: the Early Years' and 'the Troughton Years'. Well worth the time.
(by the bye, if you really enjoy these, search the web for 'doctor who telesnap reconstructions' if you'd like a taste of what the full stories were like...)
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Doctor Who: The Web Planet (Story 13) (1975) Review

Doctor Who: The Web Planet (Story 13) (1975)
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"What have we got? Echoes, interference, gold, and now acid. Yes, similar properties to formic acid. It's strange, isn't it?" says the Doctor on the planet Vortis, on which the TARDIS has been forced to land. It's a dark and forbidding place, dotted with mesas and plateaus.
The Zarbi, gigantic ants, with larvae guns, sowbug-looking creatures with a long snout that shoot lethal bolts of electricity, terrorize the Doctor and his friends. Trying to regain their planet are the Menoptera, gentle butterfly-like creatures.
Controlling the Zarbi is the Animus, whose deep, malevolent female voice, is one of the well-realized aspects of the show. The Doctor is forced to discover the plans of the Menopteran invasion force so the Zarbi can defeat them. Young Vicki helps him and her actions here, unintended or not, shows her to be more resourceful compared to his wimpy granddaughter Susan. One piece of dialogue that'll make one either cringe or laugh is the Doctor's demand to the Animus re its ceiling-built tube-like communication unit: "Drop down this hairdryer or whatever it is."
The reason why some may consider this story to be one of the worst is the realization of the Zarbi, but these steel and fibreglass-constructed insects are great, unless you have to be one. The rearmost legs, closest to the tail, are the actors, and John Scott Martin, who played one of them, said that one couldn't stand upright because the tail was longer than the actor. The only way to stand upright was to get on a one-foot riser block and place the tail over the block's end. The subterranean grub-like Optera are clearly laughable, the actors jumping up and down and grunting away, but their pale makeup indicate their time spent underground, and the hopping showing their evolutionary regression.
But the Menoptera costumes are simply wonderful, black bodysuits with strips of yellow fur, and wings with the veins painted black that could flap a full five feet from wingtip to wingtip with a hidden mechanism. The actors playing the Menoptera adapt mime-like hand gestures hinting at a more feeling aspect of the race.
In looking at the name of the giant insectoids, it's clear the storywriting team looked to entomology. There are the Zarbi, who are giant ants, the Menoptera, who look like butterflies, but have bee-like stripes, and then their subterranean evolutionary offshoot, the Optera. Well, ants and bees are all under the insect order Hymenoptera.
Another interesting aspect is the name of the enemy. It's called the Animus, which means bitter hostility or hatred. However, the Menoptera see it more medical terms, by calling its headquarters the Carcinome. Vrestin tells Ian that the Animus appeared and grew like a fungus. In other words, they see it as a malignant cancer on the world of Vortis. And the Living Cell Destructor, or Isop Tope, is analogous to an isotope that kills cancer.
For people raised on Star Wars or Jurassic Park, the visuals may seem lame, but as an experimental story, it works wonders. One of the most imaginative stories, and an attempt to see how weird Dr. Who could get. Ratings for this story averaged 12.5 million viewers, and Episode 1 charted at #7, the lowest-rating one at #14, so not bad at all!

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"Somewhere, somehow we are being slowly dragged down!" When Doctor and his friends stray from their astral plane and the Tardis materializes in eerie alien surroundings, a mysterious force prevents them from leaving. Is it a natural phenomenon or some malevolent intelligence? Uncanny occurrences are followed by encounters with the deadly Zarbis and their unknown leader, to whom the travellers fall prey. With their allies, the Menoptra, the travellers must discover how to immobilize the Zarbis, save the Menoptra from massacre and rid the planet of this powerful and horrifying evil. As a growing web begins to envelop the planet, imprisoning the travellers in its mesh, the Doctor must consult all of his wisdom toescape its hypnotic power. But what is at the center of the web and from where does it draw its power?

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Doctor Who: The War Machines (2008) Review

Doctor Who: The War Machines (2008)
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Doctor Who altered its course with The War Machines. Rather than travelling to a distant planet to meet strange-looking aliens, or to Earth's past to encounter a significant historical figure, War Machines is set in comtemporary London, the swinging mid-60s, and it shows! For the very first time in the series' young history, the Doctor and his companion(s) face a modern-day threat, the first time, that is, when they are large enough to interact with the rest of the characters, unlike Planet of The Giants.
As Professor Brett states, WOTAN is ten years ahead of its time. Well, maybe not ten. Perhaps only five years, which would put it smack down in the beginning of the Pertwee Years, right next to a simlar story, Mind of Evil, about a machine taking over people's minds. If anything, The War Machines foreshadows the Third Doctor's era. Hartnell dabbles with electronic gadgets, works with the military (not UNIT yet, but very UNIT-like), and endures incompetent politicians to prevent a menace from taking over the world. Sound familiar? The Pertwee Years four years early. In fact, if you re-hash this script and use it toward another popular 60s TV program, The Avengers, it would feel right at home. I anticipated John Steed and Emma Peel to show up on my TV screen at any minute.
Incidentally, the notion expressed that Doctor Who finally has taken its intended form with The War Machines is about as bogus the Doctor's background being changed during the McCoy years to be something more than a timelord. The intended course in any series is how it originates, not how it becomes. The originators of any series always deserve the "intended course" label. This is not to say that the new direction of the show is bad, but let's not claim that this is where Sidney Newman & Verity Lambert envisioned Doctor Who going.
Basically, The War Machines steers Doctor Who in a new direction, a very subtle foreboding of the early 70s, worth every one of the four stars I gave it. However this story could have been a five-star beauty. How you ask? Where have you gone Ian & Barbara. The Doctor may as well have been companion-less. Dodo barely features at all, disappearing somewhere in episode two, never to be seen again. We are given the revelation at the end that she has decided to stay in London, and bids the Doctor goodbye by relaying a message through the new companions, Ben & Polly. As the Doctor says, that's gratitude for you, not even showing the decency to see the Doctor off personally after being given the experience of her life. Dodo should have gotten a more substantial exit. As for the aforementioned new companions, Ben & Polly fit in with the swinging 60s era, and Polly is pleasing to the eye, however they are no Ian & Barbara. In retrospect, War Machines could have been the perfect swan song for Ian & Barbara. I can just see them telling the Doctor that "we have decided to remain here" at the end of this story, fate having steered the Tardis back in their own time finally. An opportunity sadly lost...


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Doctor Who: The Time Meddler (2008) Review

Doctor Who: The Time Meddler (2008)
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Season Two.
Another amusing gem from the prolific Dennis Spooner. This is regarded as the first of the pseudo-historicals, and is one of my favourite season two stories.
I can never feel anything but sorrow for the Monk at the end of this story as he's left stranded. I know he was a rogue, as witnessed by his Tardis full of stolen art treasures, but he did help the ancient Britons build Stonehenge with the aid of his anti-gravitational lift, after all.
"Carry on" film star Peter Butterworth plays the part of the monk with amusing relish. I would have loved to have seen him as a regular recurring.....I hesitate to use the word villain, so I'll say character instead.
And by being "shades of grey" in temperament, as opposed to the "black and white" pantomine personality of another Time Lord renegade from the seventies and eighties, makes the Monk a far more interesting and entertaining character in the process.
Here's an example, when the Doctor asks him why he behaves the way he does, the Monk replies with glee,
"Doctor it's more fun my way...". No heavy intellectual reasoning, just, it's more fun. That made a refreshing change from the pretentious reasons of some other sci-fi shows. This story was the first for the series to undergo a format change, as the Doctor takes a more pro-active role, and the actions of the companions had a lesser impact on the outcome of the stories.
As for The Monk, he is the kind of character that would go back in time just for fun, and etch some contemporary comment on some ancient artifact just to give future archaeologists headaches.
Not an evil character as such, just extremely naughty.
Although there's no worlds to save, (just a particular time-line) and no companions die this is still an enjoyable slice of early Who.
From the season with the highest overall ratings ever.
~~~~
DVD extras.
Commentary:~ Verity Lambert, Peter Purves, Donald Tosh, Barry Newbury.
Verity Lambert Obituary.
Photo Gallery Subtitle Production Notes.
English subtitles.
pdf files of Radio Times billings.
"The Lost Twelve Seconds" - 12 lost seconds recreated using off-air audio recording and the script.
Stripped for action - a look at the first Doctor's comic strip adventures.
Restoration featurette.
Coming soon trailer.
Originally aired:~3 july - 24 july 1965.
~~~~
Trivia:~ In the Star Trek: The Next Generation episode; "The Neutral Zone", as Dianna Troi helps a woman from the past search for living family members the computer screen flashes up a family tree with the names William Hartnell, Patrick Troughton, Jon Pertwee, Tom Baker, Peter Davison, Colin Baker.
Maybe some Trek writers were closet Whovians?

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The TARDIS seems emptier without Barbara and Ian - at least until the Doctor and Vicki discover that the astronaut Steven stowed away before they left Mechanus. Steven's skepticism toward time travel pushes the Doctor to confront him with living proof. Shortly after landing on a beach in England, they discover a Viking helmet, but Steve remains unconvinced. Instructing Steve and Vicki to wait with the TARDIS, the Doctor seeks further proof. Heedless of the Doctor's warning, Steven persuades Vicki to explore the cliffs above the beach, where they find an abandoned wristwatch. Meanwhile, the Doctor investigates a ruined monastery, where he encounters an electric toaster, a gramophone playing ecclesiastic chants, and a monk who traps him in an alcove. Eventually, the Doctor realizes that the famous Battle of Hastings is only a few weeks away. That should provide ample proof for Steven, but who is this mysterious monk, and what is his interest in the events of 1066?

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Doctor Who: The Beginning (An Unearthy Child / The Daleks / The Edge of Destruction) (1963) Review

Doctor Who: The Beginning (An Unearthy Child / The Daleks / The Edge of Destruction) (1963)
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WHAT A WAY TO CELEBRATE 40+ years in time and space with the first 3 episodes! Presented here are the first 3 William Hartnell stories arcs in 1 set. This is a great way to be introduced to the longest running TV sci-fi series in (and of) history. When we first meet the Doctor's "granddaughter" SUSAN, through her concerned and curious school teachers, IAN & Barbara. The Doctor, very the ANTI-HERO, almost frightening in this story, as he almost abducts the pair to protect his secret (not that he is a Timelord) that he is from "the future" and can travel in time and space. The outer shape of the time machine, A.K.A. the TARDIS remains stuck in the famous police-call-box disguise as it appears on the cusp of the "ice age." After a great 2 episode start, "Unearthly Child" becomes a fairly cliched tale of escape and capture RUNNING from and with cavemen. In 1963, Film and time was at a premium for the fledgling show, so many flubbed lines and missed cues remain in this remastered set. IT IS STILL A MUST SEE/OWN STORY FOR new and old DR. WHO FANS.
The next story introduces the Doctors 40 yr. nemesis, and easily he revial for pop culture popularity, THE DALEKS in the aptly title story arc, "The Daleks." For a series that was intended to introduce history to children, the show immediately gets off track in this 2nd story, introducing the Doctor's classic alien-cyborg foe, thank God. Overall, not a great story, but it is so monumentous a meeting that it is fun to watch on that merit alone!
The 3rd story arc "The Edge of Destruction" is what the Trek writers refered to as a "bottle episode." In an attempt to cut costs on enough stories to save money for the big shows, we have a story contained completely in the TARDIS control room. The "characters trapped in an elevator" story is a fast, cheap way of establishing and defining characters early in a series, Edge of Destruction is highly successful in this way.
This is a great set at a good price.
DON'T SETTLE FOR crummy BOOTLEGS! GET THESE CLEANED & POLISHED PIECES OF TIMELORD HISTORY!

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