Arrest and Trial Review

Arrest and Trial
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During the Fall of 1963, a new police and lawyer show debuted on ABC. Titled "Arrest and Trial," this unique show was made for a 90 minute time slot. The first half of the show featured the "Arrest," with detectives Ben Gazzara and Roger Perry gathering the evidence and apprehending the suspect. The "Trial" portion starred Chuck Connors aided by Don Galloway as defense attorneys, with John Larch and John Kerr as prosecutors from the district attorney's office. Sound familiar?
There's no question that the basic structure and format of "Arrest and Trial" influenced the modern "Law & Order." But there's a major difference in the two shows. "Law & Order" is, essentially, a well written and acted police and judicial procedural. "Arrest & Trial," while retaining many of the procedural elements, is much more of a character study of the accused and those around him - friends and family - and how law enforcement and the judicial system affect their lives. Disc 2 of the set represents the series well and features three episodes dealing with the theme of addictions: Mickey Rooney is a drug addict accused of murder; Nick Adams embezzles money from his employer to pay for his gambling habit; Dewey Martin is a paroled convict dealing with alcoholism who has a difficult time adjusting to the outside world.
The series was produced during the era of the early to mid-1960s when the bar for televised drama was set very high with shows like "Route 66," "The Fugitive," "Combat!," "The Defenders," "Naked City" and others sharing the primetime airwaves. "Arrest and Trial" shares the superior writing, acting, and direction of those other shows. So why wasn't it a hit? One reason may have been its odd running time - 90 minutes - rather than the standard 60 minute format for most televised dramas of the era. But there were other shows that ran for 90 minutes during the 1960s like the Westerns "The Virginian," "Cimarron Strip," and, for a time, even "Wagon Train." More probably, it had to do with the competition. Broadcast by ABC on Sundays from 8:30 p.m. to 10:00 p.m., "Arrest and Trial" went head-to-head with the second half of "The Ed Sullivan Show" and "The Judy Garland Show" on CBS, while NBC offered "Grindl" and the second longest running Western in TV history "Bonanza." Sadly, "Arrest & Trial" was cancelled after only a single season of 30 episodes. Co-stars Gazzara and Connors would move on to more successful series, "Run for Your Life" and "Branded," respectively.
This release of "Arrest and Trial," as well as several other DVD releases from the Timeless Media Group, is the product of a unique licensing arrangement that Timeless has with NBC Universal. In a cost cutting measure, Universal is only licensing the use of the episodes to Timeless; it is not providing restored or remastered prints to Timeless. Instead, Timeless is assembling episodes on its own using 16 millimeter films from collectors and other sources. As a consequence, the prints utilized for this release are far from perfect, often exhibiting scratches, dirt and other imperfections. While this may not be the most ideal way to release a television series on DVD, the prospective purchaser of "Arrest and Trial" needs to consider the rarity of this series and the likelihood of a better release. Frankly, this was a series that I believed would never see a DVD release, and so I'm appreciative that a DVD releasing company would take a risk on such a comparatively obscure series. Each of the three discs contained in this box set contains three episodes, with episodes running in the 75 to 76 minute range, so you're getting a representative sampling of nine of the thirty episodes that were produced. There are no extra features included on this release. The quality of the writing, acting, direction, and overall production transcend a flawed visual presentation. I can very easily recommend this to vintage TV fans and anyone who appreciates a quality televised drama, but videophiles will have numerous issues with this release and are probably best advised to steer clear. "Arrest and Trial" as a series merits five stars, but subtract a star for the lesser visual quality.


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One Step Beyond 4-DVD Set Review

One Step Beyond 4-DVD Set
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I bought this set in a big box store somewhere, never having seen "One Step Beyond" the first time around. But knowing that "Twighlight Zone" was something I loved viewing on the SciFi Channel I purchased this - and LOVED IT!
There is something slightly more mannered yet weird in the production. There are many famous young faces. The stories are based on "true account" and in this it has a slightly tabloid feel.
Watching it a year later - I again loved it. That tells me it is a good DVD investment. I would take the risk if you've never seen "One Step Beyond" but enjoy the age and the genre.

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NYPD Blue - Season 2 (1993) Review

NYPD Blue - Season 2 (1993)
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I found this on "tvshowsondvd.com", dated 7/01/2004:

They often say, "No news is good news," but that's not the case when it comes to DVDs. If a studio has been releasing a show on DVD and then you don't hear anything about a subsequent season, the assumption is that the sets were selling poorly and no further sets are planned. When Fox removed the January 13th listing for season 3 from their consumer site, things were looking grim for the series. We all assumed the worst: that Season 3 wouldn't be released.

Earlier today we got some good news from Fox; they plan on releasing the set, they're just looking for a good time to do so. With the TV-on-DVD schedule becoming crowded, Fox wants to find a release date where the title will get good exposure and sell enough copies so they can continue releasing the series. We don't know when that'll be, but we wanted to bring NYPD Blue fans some good news, since our previous news was rather depressing.

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The Littles - The Complete Series (1983) Review

The Littles - The Complete Series (1983)
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In the endless mucking about through hundreds of cutesy kids shows a few do come out on top as being innovative, educational, and above all entertaining. The Littles was one of those kinds of shows. While the episodes had a moral to them that moral tends to be shown in a more practical way than your standard "always brush your teeth after each meal... and knowing is half the battle" kind of prachy message. In other words it entertains. As a youngin' myself I found this show wasn't condescending to little kids while at the same time engaging them.
The Littles is based on a widely popular book series and is about a family of little people (very, very little people... think Tom Thumb little) going about their daily adventures in a world of giants (that would mean us regular folk). The animation is surprisingly good with some nice art and nice frame rate compared to other Saturday morning cartoons. Considering this is a show for kids between around 8 and 13 it does get goofy and you do get those silly sound effects every time somebody (or rather Dinky) falls over and the like. Part of the fun is seeing how they use our common small household items as creative inventions for their own environment. That includes anything from basic tools and furniture to airplanes and other vehicles. The cast is a good blend of characters and include:
Tom Little - A 13 yr old with an adventurous streak to him.
Lucy Little - The ten year old sister to Tom who tends to be the sensible one.
Dinky Little - A 21 year old little who pilots the airplane and tends to be the clumsy Gilligan of the group.
Grandpa Little - The brave and somewhat wise one of the bunch that, with the help of Dinky, keeps the kids from getting in over their heads.
William and Lucy Little - They are Tom and Lucy's parents and don't really adventure much, but they are there for the kids.
Henry Bigg - If you haven't guessed by his name this is the normal sized boy that befriends the littles and helps them along.
With this DVD set you get the entire series of half hour 28 episodes (well less than a half hour if you count commercials). Not only do you get all of the episodes but you also get the Weekend Special Feature "Liberty and the Littles", which is a made for TV special that's over an hour long. Unlike many cartoon DVDs (or television DVDs for that matter) you also get a host of extras as well. Here is the breakdown:
- Featurette " Little Ideas for Big People"
- Interview with show writer Marc Scott Zicree
- Storyboard comparisons
- A little snippet on the history of the DIC logo (the show's production company)
- A host of printable material including series bible, episode storyboards and episode outines.
If you have kids in this age range that have any imaginative flair to them and you want them to learn some good moral and practical lessons without being preached to them this would be a good set for them. Obviously since the show is from the 80's it won't have the kind of "newness" you would get from more recent shows, but at the same time these characters are timeless and the show tends to follow that trend.

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The History Channel Presents The Civil War (1999) Review

The History Channel Presents The Civil War (1999)
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An outstanding collection of the best episodes of History Channel's "Civil War Combat" and "Civil War Journal," the latter hosted and narrated by actor Danny Glover.
My only real qualms (and the reason I give this set 4 stars out of 5) is because A&E/History Channel basically recycled these previously released episodes and simply boxed them up together. That's fine and all as it's more convenient to have all of them together, BUT...if you're going to do that, why not put these episodes into anamorphic widescreen and/or remaster the video images as well? Some of these episodes look like they were transfered to DVD straight from a VHS source.
But this should not take away from the fact that these are extremely well-made histories - informative, educational and obviously produced by and with the assistance of those with a distinct passion for the Civil War.
Definitely worth your time and attention!

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Dogfights - The Complete Season One (History Channel) (2006) Review

Dogfights - The Complete Season One (History Channel) (2006)
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The History Channel's "Dogfights" series is a huge step forward for air combat documentaries. Rarely can gun camera footage capture what actually happened in a dogfight. Instead you just see the final couple seconds before the target explodes. The "Dogfights" episodes overcome this limitation by adding in computer-generated reenactments of the air battles that make you feel like you are there watching it all unfold right in front of you. You come away with a much better appreciation of the tactics. For archival footage fans, don't worry--there is still plenty of that in these programs. But because they also have the vivid computer imagery, the episodes don't have to rely on showing the same stock footage over and over and over. I especially appreciated this for the jet era battles, where there is generally a short supply of good footage. In particular, I thought the "Mig Alley" episode was a tremendous improvement over previous pre-CGI documentaries about the air war in Korea. And in that episode, the reenactment of Robby Risner's epic mission is the most incredible air battle story I have ever seen.
The whole series is amazing. It is absolutely essential viewing for anyone interested in air combat. That said, let me also offer three minor warnings:
1. Air battles in Europe during World War 2 get surprisingly little coverage in Season 1--only a episode of "Greatest Air Battles" bonus episode and a flashback in the "Air Ambush" episode about Robin Olds. Likewise, World War I air combat is not covered except at the beginning of the "Greatest Air Battles" episode.
2. There is a glitch on the "Greatest Air Battles" episode. When I hit 'play all' or 'introduction' for that episode, it starts with Rickenbacker's mission. It seems like the logical starting point, but that isn't actually the start of the episode. There is a lot of interesting material before that, but you have to manually rewind in order to get the real beginning of the episode.
3. When last I checked, you could get "Dogfights" for much less money from Deep Discount.
Finally, if you want to learn more about the dogfights of World War 2, I strongly recommend VICTORY ROLL by William Wolf. This massive book (460+ pages with over 600 photos) is the most comprehensive history of all the US aces from World War 2 that I have ever encountered.

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Harnessing the technology from the latest cgi video game flight simulators this puts the viewers behind the cockpit pitted against enemy aircraft in 11 of modern historys greatest air battles.Studio: A&e Home VideoRelease Date: 04/24/2007Run time: 517 minutes

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Inspector Gadget's Last Case - Claw's Revenge (2002) Review

Inspector Gadget's Last Case - Claw's Revenge (2002)
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Inspector Gadget was probably my all-time favorite 80's cartoon. I enjoyed both the first and second seasons of the series as well as 1992's Christmas special "Inspector Gadget Saves Christmas". Some Gadget fans are quick to criticize the second season (1985) of the show, but they need to compare it to DiC's 2002 release of "Inspector Gadget's Last Case: Claw's Revenge" for then, they will find the second season to be absolute gold.
Being a Gadget fan, I couldn't resist the opportunity to see the animated Inspector Gadget in something that wasn't Gadget Boy-related. I purchased the film, and I swore to myself that I'd be objective; I knew that sometimes artistic liberties would be taken from the original series. I was not even prepared for what I was about to watch.
There was barely a shred of the original show still intact.
Here is a short list of just some of the cons for this movie:
*The humor is non-existant from the original series.
*Penny and Brain (originally having a nearly equal part in the series as Gadget) are missing from the action for fifteen to twenty minute intervals.
*The original music by Saban & Levy is not there, and the score that exists is subpar. (Understood that Saban has his own production company now, but at least "Inspector Gadget Saves Christmas" had good music, even without Saban.)
*Don't expect to see any of Gadget's gadgets which made the show so endearing, such as gadget-copter, gadget-brella, gadget-mallot,gadget-coat (which actually was used but it was not even called the same thing), as well as his standard other hat and hand gadgets. In this movie, his gadget legs were telescopic instead of springs. That kind of stuff annoys true fans of the show, and simply aren't necessary to change.
*The gadgetmobile from the original series is now a fast-talking, supposedly "hip" convertible. All the fans from the original series enjoyed the gadgetmobile transforming into the gadget van and vice versa.
*Chief Quimby is now very short-tempered and even mean to Gadget. He was always grumpy in the original series, but this pushes the situation a bit much.
*Penny no longer has a computer book.
Are there any positives to this movie? Ok, here goes...
*Maurice LaMarche does a good job of taking over for the great Don Adams as Inspector Gadget.
*In one scene, Chief Quimby alludes to an actual villain from the cartoon series: the Great Wambini (classic "Gadget" villain from the second season, voiced by Louis Nye).
Looking for more redeeming factors for this movie? Well, you're out of luck. Life is about making choices and living by those choices. Most situations in life have a purpose even if it is to teach a lesson. The lesson learned here: keep to the original formula! "If it ain't broke, don't fix it." True Gadget fans should steer clear from this movie; you will surely be disappointed.
Hopefully, DiC will continue to release more of the original series on DVD. So far, Volume 1 of "The Gadget Files" has been released as well as "Inspector Gadget Saves Christmas". As a true Gadget fan, lover of 80's animation and many of DiC's programs, I urge you the viewer to purchase these two DVD's which are excellent and sure to bring back good memories.

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Go-Go Adventure! Go-Go Excitement! Go-Go Gadget! Fasten your seat belts...and get ready for super-charged fun! InspectorGadget and his four-wheeled partner, Gadgetmobile, are all revved up forhigh-speed adventure. There's a new crime fighter protecting the streets of Metro City. Theonly trouble is...it's not Inspector Gadget! His name is Devon Debonair,and he's convinced everyone that he can outsmart anyone who stands inhis way. But something's not quite right about this muscle-boundsuperhero; in fact, he seems to have a secret connection to Gadget'sarch-nemesis, Dr. Claw. And it will take all the brains, charm andhigh-tech gizmos Inspector Gadget can come up with to stop him!

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Outer Limits: Don't Open Till Doomsday (1963) Review

Outer Limits: Don't Open Till Doomsday  (1963)
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Overrated but good. Screenwriter Stefano was a little pressed for time on this one, and didn't quite get to polish it off as well as he could have. Still, it's got atmosphere to spare, one of the creepier aliens of the series, and Miriam Hopkins as a demented spinster in a worse-than-haunted house.
Hopkins goes crazy after her bridegroom vanishes on their wedding night, back in the Roaring Twenties. Now, many decades later, she lives in the mansion that would have been theirs, which has become a decadent shrine. Unbeknownst to anyone else, she is secretly in league with an alien monster seeking to abduct more cooperative help than her snatched fiance in its quest to blow up the universe. Along come a pair of underage eloping high schoolers...
This episode has a lot going for it. Logically, it makes about as much sense as the Magic Bullet theory, but the imagery and the story are rich and unsettling. There are two fabulously creepy abduction scenes, Hopkins' groom at the beginning of the episode and the high school sweetheart later. The latter is especially unnerving, since she cannot be distinguished between experiencing cosmic terror or an orgasm in confronting the hypnotic alien abductor. Hopkins is a pre-Patty Hearst study in the Stockholm Syndrome, a woman gone round the bend in lifelong coerced service to evil.
The script is weak, especially at the end, when the rather imaginative one-eyed monster-in-a-box talks too much and comes off sounding like a bass-voiced Marvin the Martian. The finale is rushed, and if you pay attention you can see the high school youth jump his cue before the special effect he is supposed to be reacting to occurs, which is pretty funny.
Overall, definitely worth a look, especially for horror or Lovecraft fans.

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Avengers '66 - Set 1, Vol. 1 & 2 (1966) Review

Avengers '66 - Set 1, Vol. 1 and 2 (1966)
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These DVD's from A&E represent the best known and certainly the most popular era of the long running British TV fantasy-adventure series "The Avengers." Made between 1965 and 1966, all 26 episodes of the fourth season of the show are available here on four discs.
When Honor Blackman (Mrs. Cathy Gale) left the series after season 3 to take up the lead role in the Bond movie "Goldfinger," the producers had already made the decision to start filming the series, moving it out of the TV studio and giving it a much glossier and dynamic feel. John Steed (Patrick MacNee), the debonair British government agent stayed on and his new partner was devised by the production team to be another tough, all-action girl with "Man Appeal." M-Appeal (geddit?) Elizabeth Shepherd was cast as Mrs. Emma Peel and two episodes were filmed before it was mutually agreed that she didn't meet the expectations of the production team. A quick replacement was sought and in stepped Diana Rigg. A TV legend was born.
The relationship between Steed and Mrs. Gale had always been haughty to say the least. With the introduction of the widowed (or seemingly) Mrs. Peel, the relationship between the two leads became much closer. Mrs. Peel was as intelligent, quick thinking and emasculated as her predecessor, and initially at least shared her penchant for leather outfits, but she was also certainly softer and more readily prepared to act as Steed's partner in their adventures.
The stories were certainly becoming much more fantasy bound, and the use of diabolical masterminds and organizations with bizarre acronyms became the norm for the stories from this series on. The fantasy and sci-fi elements of the show were highlighted more than before and the fashions and design of the show took on a much more stylish and indeed `stylized' look. The success of these elements was immediate, and huge ratings in the UK followed, plus overseas transmissions of the show followed for the first time. Such was their success indeed that another 26 episodes were soon commissioned, this time to be made in color.
The stories have supposedly been digitally re-mastered for these DVD releases, and indeed the picture quality is pretty impressive, but there is still sparkle and dirt on the prints that may detract from the quality for some viewers. The 26 episodes are presented in the same order of their original UK transmission.
This for me is the very best season of the show, with great style and wit accompanying the excellent scripts, direction and production values. I'd certainly recommend this release to anyone.

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Have Gun Will Travel - The First Three Seasons (1957) Review

Have Gun Will Travel - The First Three Seasons (1957)
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First, I love half-hour dramas. They are a holdover from radio where executives thought that a half hour was as long as they could hold an audience. When TV began they took what they learned on radio and transferred it. (Interestingly, HGWT was the only TV show to spawn a radio show - usually it was the reverse.) The format trims the fat and makes for taut story-telling. So you've got a great format and another key ingredient - Richard Boone, a terrific actor. He was Paladin "a soldier of fortune in a savage land" named by TV Guide as one of the all time 100 top tv characters. A refined gentleman in San Francisco who dons a black cowboy outfit to work as a troubleshooter to afford his refined tastes. Oh, and let's not forget the writing. Many of the episodes were written by none other than Gene Roddenberry, honing his skill that would be evident in Star Trek. His scripts are always clever and thoughtful - a must for trek fans especially the episode where three lovely mail-order brides arrive under suspicious circumstances for some lonely ranchers (shades of Mudd's Women!)The bottom line is this series will spoil you for real entertainment. And the transfers are top of the line quality. If you love westerns, you've got to have this series. If you don't love westerns, get this series anyway. You'll see the error of your ways.

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The Avengers - The Complete Emma Peel Megaset (2006 Collector's Edition) (1966) Review

The Avengers - The Complete Emma Peel Megaset (2006 Collector's Edition) (1966)
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The immensely popular ABC series called "The Avengers" has long since achieved legendary status since it appeared back in January 1961. Since then there have been 161 episodes, which break into four major sections. We have the early episodes (1-26) with Patrick Macnee as John Steed and Ian Hendry as Dr. Keel. Then the "Cathy Gail" series (27-78) with Honor Blackman as Cathy Gale, the man-tossing, leather-covered intellectual who broke new ground for female characters on television. Even more popular was the black and white series (79-104) with Diana Rigg and Emma Peel (read "M[en] appeal "), which led not unexpectedly to the color series with Rigg (105-129). Then the final section with Linda Thorson as Tara King (129-- in which she co-starred with Rigg-161).
As of this writing, the early episodes in the Gale series and all of the King series are not yet available. However, A&E has just released all of the Rigg entries, both the black and whites and the color, in a wonderful boxed set called "The Avengers: the Complete Emma Peel Mega-Set." And Mega, I suppose, is as good as any adjective to describe the enjoyment value of the contents therein. We have here all the Rigg episodes, including the transition entry in which Tara takes over for Emma, on 16 DVDs, each holding 3 episodes with an occasional 4th as a "bonus."
Those who have never seen them before will want, of course, to watch them in order. Others will want to jump to their favorite episodes, which is pretty easy on DVD. You will notice that the black and whites were less studio-bound and the sets in general more realistic. With the first color episode, the series took a strong science fiction bent; and the sets, as the producers admitted, were more a view of England as the Americans would like to think it is.
You will also have a lot of fun spotting stars-to-be. There is Donald Sutherland, Brian Blessed and Charlotte Rampling in "The Superlative Seven," Peter Bowles in "Dial a Deadly Number" and "Escape in Time," Geoffrey Palmer in "A Surfeit of H2O," and Christopher Lee in "Never, Never Say Die." It was a policy that no actor could appear more than once a season, so Bowles and Lee, for example, would have to wait for the King series to play other characters. In fact, the only characters as such to reappear in the color Rigg series from the black and whites is the bumbling Brodny (Warren Mitchell) who can be found in "Two's a Crowd" and "The See-Through Man" and the evil assistant (Frederick Jaeger) to the Cybernaut-master.
And for more fun, see how many actors from "Are You Being Served?" you can spot? There are three in all.
The most frequent repeat actor seems to be comedian Roy Kinnear, who also has the honor of being in the very last King episode in the role of Bagpipes Happychap. And then we have rotund Patrick Newell who was murdered in the very first Rigg entry, drugged in a color one, and wound up as Mother in the King series.
But all in all, it is the interplay between Macnee and Rigg that really made this program work. Unlike Cathy Gale, who seemed actively to dislike Steed when she was not merely tolerating him, Mrs. Peel had a genuine fondness for him and was not averse to stirring his tea (anticlockwise, as he preferred it). And as for the question of Peel and Steed being lovers, recall that they are fictional characters and have no life off the screen.
The dialogue was light hearted, and you seldom if ever saw blood after a mere trickle in their third episode. You also never saw a policeman, an element that for some reason the producers thought would be a jarring note. (You figure out why; I cannot.)
The best episodes? There is no question that "The House That Jack Built" leads the pack. This is the one in which Emma finds herself in a house designed to drive her mad and Steed appears only at the start and end. The worst? Possibly "Silent Dust." The silliest? That has to be "Epic." The most serious? "Murdersville." So what if the package costs a small fortune? You could purchase them separately, of course; but think of what you would be missing.

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She is the perfect balance of sexiness and sophistication, wit and whimsy. The object of many prepubescent lads' desires, Mrs. Emma Peel dazzled television screens on both sides of the Atlantic from 1965-1967. Starring Dame Diana Rigg as Peel and Patrick Macnee as John Steed, the Emma Peel era of THE AVENGERS was the high-water-mark of the groundbreaking series, with adventures more fantastic than ever.A one-stop haven for DVD collectors, this special 17-disc Collector's Edition features all 51 digitally remastered Emma Peel episodes plus a new bonus disc containing three "lost" episodes from the debut season of THE AVENGERS, a ‘making-of' documentary film, a classic Emma Peel cameo episode from THE NEW AVENGERS ‘77, and more.

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The Mystery Science Theater 3000 Collection, Vol. 3 (The Atomic Brain / The Sidehackers / The Unearthly / Shorts, Vol. 2) (1988) Review

The Mystery Science Theater 3000 Collection, Vol. 3 (The Atomic Brain / The Sidehackers / The Unearthly / Shorts, Vol. 2) (1988)
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They could have given MYSTERY SCIENCE THEATER VOLUME 3 the subheading of "Shorts", as there are more short films on offer here than in any previous box set, and most likely any future releases simply won't contain as many as there are here. There are nine short features here, six from the Shorts Vol. 2 disc, and three more scattered throughout the other three discs. I love the heckling that the MST3k crew give to those short packets of hilarity. While some films are able to transcend their time, the short films are intrinsically tied to the sillier aspects of decades past.
Here are some quick comments on each of the discs:
THE ATOMIC BRAIN: This is a film from that era of bad science fiction films where filmmakers put the word "atomic" in front of any dubious sounding scientific technobabble, hoping that this would somehow make the whole endeavor appear to be more scientific. In this film, a mad atomic scientist attempts to harness the power of the atom to atomically put an old woman's atomic brain into the atomic body of a young, sassy, atomic blonde. Features the short film WHAT ABOUT JUVENILE DELINQUENCY?, which only provokes me to wonder, "Well, what about it?"
THE UNEARTHLY: More scientists here. This time they're trying to insert a new gland into human bodies so that people will live forever. Or something. If the back of the DVD box hadn't told me that this was a horror flick, I really wouldn't have noticed. Maybe someone forgot that "horror" and "boring" are different things. Also features the shorts, POSTURE PALS (teaches kids to mock the posture of their peers), and APPRECIATING OUR PARENTS (teaches kids to obey). Strangely, every film in this episode seemed to be filmed in Blue and White, rather than Black and White.
THE SIDEHACKERS: Truly hilarious fare here. Grown-up idiots decide to risk life and limb by attaching shopping carts to the sides of their motorbikes and run them around in circles. There are also some subplots involving jealous lovers and mentally unstable cyclists. No sidehackers were harmed during the making of this movie, unfortunately.
SHORTS, Vol. 2. Features the following short films: CATCHING TROUBLE (a 50's sadistic version of the Crocodile Hunter inflicts pain on helpless animals), WHAT TO DO ON A DATE (no, it's not what you think, and when you see who will be doing the dating, you'll be glad it's not what you think), LAST CLEAR CHANCE (teens + cars + moody cops = death), A DAY AT THE FAIR (old men like to show off their corn at the fair), KEEPING CLEAN & NEAT (teaches kids to clean their bedrooms by employing clever camera tricks; any kids without a film camera will remain unenlightened), and THE DAYS OF OUR YEARS (tells us why it's always the worker's fault when someone ends up dying on the job).
Unfortunately, the original, uncut films aren't available as extras on this box set. To make up for this, those folks at Best Brains Inc. have included raw unedited footage and bloopers from the various host segments that appear in these episodes.

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Treasure Box Collection; Digitally Remastered: Wagon Train Review

Treasure Box Collection; Digitally Remastered: Wagon Train
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This has two episodes in B/W, 1st episode has John McIntyre as wagon master. The second episode Robert horton does the ramroding. I was hoping to see Ward Bond but I guess all of the ones with him have been lost.
It was a kick to see the old crew again anyway.

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The Phil Silvers Show-Sgt. Bilko-Volume 2-48 Episodes-6 DVD-Chronological Order Review

The Phil Silvers Show-Sgt. Bilko-Volume 2-48 Episodes-6 DVD-Chronological Order
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I've purchased all three sets of the Phil Silvers (Bilko) show through amazon.com. They were made by "Classic Sitcoms" of Canada. Unfortunately, the quality is, at best, indifferent. They were recorded off someone's cable television system, and while the picture quality is generally decent, some episodes start and stop abruptly--occasionally with the loss of program material. Now that official studio-produced versions are coming out (the first season will be released in July 2010), I'd stay away from these "home-made" DVDs.

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Doctor Who: The Keys of Marinus (Story 5) (2010) Review

Doctor Who: The Keys of Marinus (Story 5) (2010)
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It's worth noting that you've been watching a cut version of this story all these years; read this from the Restoration Team website:
"[The film copies had] seven seconds of cuts to episode two and ten seconds of cuts to episode four. The most likely reason for these cuts is either physical damage to the transmission videotape or physical splice edits in the tapes, both of which might be expected to produce disturbing picture off-locks in the film recording.
It was decided to reinstate all the audio material back into the episode, leaving Peter Crocker with the problem of how to fill seven black holes in the picture! Using various combinations of cutaways, composite images and retiming, he was able to cover all the holes. Although this will obviously differ from what what would have been seen originally, it does at least allow the story to be enjoyed uncut for the first time since its transmission in 1964."
As for special features, read on...
* Commentary with actors William Russell and Carole Ann Ford, director John Gorrie and designer Raymond Cusick. Moderated by Clayton Hickman.
* The Sets of Marinus (dur. 9' 25") - designer Raymond Cusick recalls his work on this story.
* Photo Gallery (dur. 7' 25") - production and publicity photos from the story.
* PDF Material - Radio Times listings plus the entire set of Cadet Sweets 'Doctor Who and the Daleks' sweet cigarette cards in Adobe pdf format for viewing on PC or Mac.
Plus of course the usual Subtitle Production Notes and Coming Soon trailer.

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On a remote island of glass surrounded by a sea of acid, there is a machine that can remove evil from the minds of an entire population – the Conscience of Marinus. Fearful of its immense power falling into the wrong hands, its sole guardian has scattered the machine's operating keys across the planet. The TARDIS crew arrives to find the island under attack by the evil Voord. Marinus' last line of defense – and its only hope – is the Conscience machine. The Doctor and his companions must undertake a deadly quest to recover the keys of Marinus.

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Doctor Who: The Web Planet (Story 13) (1975) Review

Doctor Who: The Web Planet (Story 13) (1975)
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"What have we got? Echoes, interference, gold, and now acid. Yes, similar properties to formic acid. It's strange, isn't it?" says the Doctor on the planet Vortis, on which the TARDIS has been forced to land. It's a dark and forbidding place, dotted with mesas and plateaus.
The Zarbi, gigantic ants, with larvae guns, sowbug-looking creatures with a long snout that shoot lethal bolts of electricity, terrorize the Doctor and his friends. Trying to regain their planet are the Menoptera, gentle butterfly-like creatures.
Controlling the Zarbi is the Animus, whose deep, malevolent female voice, is one of the well-realized aspects of the show. The Doctor is forced to discover the plans of the Menopteran invasion force so the Zarbi can defeat them. Young Vicki helps him and her actions here, unintended or not, shows her to be more resourceful compared to his wimpy granddaughter Susan. One piece of dialogue that'll make one either cringe or laugh is the Doctor's demand to the Animus re its ceiling-built tube-like communication unit: "Drop down this hairdryer or whatever it is."
The reason why some may consider this story to be one of the worst is the realization of the Zarbi, but these steel and fibreglass-constructed insects are great, unless you have to be one. The rearmost legs, closest to the tail, are the actors, and John Scott Martin, who played one of them, said that one couldn't stand upright because the tail was longer than the actor. The only way to stand upright was to get on a one-foot riser block and place the tail over the block's end. The subterranean grub-like Optera are clearly laughable, the actors jumping up and down and grunting away, but their pale makeup indicate their time spent underground, and the hopping showing their evolutionary regression.
But the Menoptera costumes are simply wonderful, black bodysuits with strips of yellow fur, and wings with the veins painted black that could flap a full five feet from wingtip to wingtip with a hidden mechanism. The actors playing the Menoptera adapt mime-like hand gestures hinting at a more feeling aspect of the race.
In looking at the name of the giant insectoids, it's clear the storywriting team looked to entomology. There are the Zarbi, who are giant ants, the Menoptera, who look like butterflies, but have bee-like stripes, and then their subterranean evolutionary offshoot, the Optera. Well, ants and bees are all under the insect order Hymenoptera.
Another interesting aspect is the name of the enemy. It's called the Animus, which means bitter hostility or hatred. However, the Menoptera see it more medical terms, by calling its headquarters the Carcinome. Vrestin tells Ian that the Animus appeared and grew like a fungus. In other words, they see it as a malignant cancer on the world of Vortis. And the Living Cell Destructor, or Isop Tope, is analogous to an isotope that kills cancer.
For people raised on Star Wars or Jurassic Park, the visuals may seem lame, but as an experimental story, it works wonders. One of the most imaginative stories, and an attempt to see how weird Dr. Who could get. Ratings for this story averaged 12.5 million viewers, and Episode 1 charted at #7, the lowest-rating one at #14, so not bad at all!

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"Somewhere, somehow we are being slowly dragged down!" When Doctor and his friends stray from their astral plane and the Tardis materializes in eerie alien surroundings, a mysterious force prevents them from leaving. Is it a natural phenomenon or some malevolent intelligence? Uncanny occurrences are followed by encounters with the deadly Zarbis and their unknown leader, to whom the travellers fall prey. With their allies, the Menoptra, the travellers must discover how to immobilize the Zarbis, save the Menoptra from massacre and rid the planet of this powerful and horrifying evil. As a growing web begins to envelop the planet, imprisoning the travellers in its mesh, the Doctor must consult all of his wisdom toescape its hypnotic power. But what is at the center of the web and from where does it draw its power?

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The Twilight Zone: Vol. 20 (1959) Review

The Twilight Zone: Vol. 20 (1959)
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This DVD has 3 great episodes on it. "30 Fathom Grave" would have been one of those classic episodes that people keep quoting (Like "Nightmare at 20,000 Feet" or "Time Enough At Last"), but it was a 30 minute episode that was stretched to an hour. If they had edited this as a half-hour episode, it would have been perfect, but it suffers from too much padding. It's still a good story though. The other two stories are great ones too, though "Elegy" is just a little predictable. Well worth owning though.

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Episodes: "Elegy" (Ep. 20, February 19, 1960) - Three astronauts land on a remote asteroid where everyone is frozen in place in the midst of their activities. The only one who moves is the caretaker (Cecil Kellaway), who reveals that they are in an exclusive cemetery where the deceased's greatest wishes can come true. "The Thirty-Fathom Grave" (Ep. 104, January 10, 1963, 50 min.) - A mysterious clanging sound is heard within a submerged submarine--20 years after it was sunk by the Japanese during World War II. A sheared periscope? Or ghosts of the drowned crewmen? Chief Bell (Mike Kellin) reveals a guilty secret that has tormented him ever since that horrible event. "A Short Drink from a Certain Fountain" (Ep. 131, December 13, 1963) - An aging man (Patrick O'Neal) desperate to keep up with his much younger wife (Ruta Lee), tries a highly experimental youth serum. To his wife's delight, he is restored to vigorous young manhood, but the worm soon turns when the serum continues its work...

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