The Beulah Show, Volume 1 (2007) Review

The Beulah Show, Volume 1 (2007)
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THE BEULAH SHOW (also known simply as BEULAH) is a light sitcom from television's first years best known for being the first program to star an African American actress. The syndicated series ran three seasons, 1950-1953. Based on the late 40's radio sitcom starring Oscar winner Hattie McDaniel of GONE WITH THE WIND fame, the television series' first two years starred Ethel Waters as Beulah, a big-hearted housekeeper for a young white family (presumably the producers chose Waters because she was a bigger star at the time than McDaniel). Miss Waters was reportedly unhappy with the mediocre scripts and left the show after the second season which led to an overhaul of the program and a completely new cast.
The wonderful Hattie was finally cast as the video Beulah but tragically she was only able to complete eight episodes, dying later that year of breast cancer. The role of Beulah was then taken over by Hattie's longtime contemporary in movies, Louise Beavers (the rest of the new cast remained). Reportedly there were a couple of final episodes that season (the series' last) in which Lillian Randolph played the role (possibly due to Beaver's signing to play a featured role on the network sitcom MAKE ROOM FOR DADDY).
The series, apparently now in public domain, has long been unseen except for a vhs tape or two issued by minor companies. At long last, a budget DVD version has been released of four episodes, two starring Hattie McDaniel and two with Louise Beavers.
BEULAH GOES GARDENING has Hattie has the put-upon maid who ends up having to do the gardening when Mr. Henderson, in a penny-pinching move, decides to no longer employ a gardener and have the family do it instead, only thing is the "family" always has something else to do and it only means more work for Beulah. In THE WALTZ, little Donny Henderson is floundering in dance class, so Hattie and her longtime beau Bill decide to give him lessons, only the boogie woogie they teach him isn't quite the style he is supposed to learn. THE NEW ARRIVAL has a baby carriage arriving at the Henderson home leading Louise Beavers to believe the Mrs. is expecting and the bogus secret spreads like wildfire. SECOND WEDDING has Louise convinced her employers' marriage is on the rocks after reading a magazine article on the warning signs for marriages in trouble.
Both actresses do quite well with the slender, unpolished material. I have always preferred Hattie McDaniel, one of the very best character actresses ever in film, over the quite talented Louise Beavers who is a gentler, less comic actress. It's touching and sad to see Hattie in her final role, not quite the spitfire of her classic movie performances but still a lovable endearing personality. Louise is equally good as Beulah and her two episodes actually are a little better written.
Print quality for these programs is no better than good minus to acceptable (the Beavers episodes appear to be copies of videos rather than film prints and are only fair) but this material is very rare and you are not likely to see better prints anytime soon (indeed only about seven episodes of the show are still known to be around but surely there are more somewhere since the program was rerun for several years and the 1950's aren't that long ago).
1940's "B" leads David Bruce and Jane Frazee play Beulah's employers, the Hendersons, child actor Stuffy Singer is their son Donny. Beulah's elusive beau is played by Ernest Whitman (who had a bit part in GONE WITH THE WIND as the black carpetbagger), her dizzy best friend Oriole is played by Ruby Dandridge (Dorothy's mom).
THE BEULAH SHOW is a trailblazer in that it's black and white supporting performers are on an equal status and share approximately the same amount of screen time. And it's wonderful to see both Hattie McDaniel and Louise Beavers front and center in a program given the starring billing they richly deserved.

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Item Name: The Beulah Show, Volume 1; Studio:Alpha Home Entertainment

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